Book Review
Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism. By Emma Cox . London: Anthem Press, 2015. Pp. vii + 202 + 28 illus. £25.00/$40.00 Pb.
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- 14 August 2017, pp. 200-201
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Modern Asian Theatre and Performance 1900–2000. By Kevin J. Wetmore Jr , Siyuan Liu and Erin B. Mee . London and New York: Bloomsbury Methuen Drama, 2014. Pp. viii + 304. $112 Hb; $42.95 Pb; $19.99 Ebook.
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- 27 March 2017, pp. 102-103
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Disability, Public Space Performance and Spectatorship: Unconscious Performers. By Bree Hadley . Basingstoke: Palgrave Macmillan, 2014. Pp. ix + 210 + 10 illus. $95 Hb; $90 Pb; $69.99 Eb.
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- 10 January 2018, pp. 360-361
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The Contemporary American Monologue: Performance and Politics. By Eddie Paterson . London and New York: Bloomsbury Methuen Drama, 2015. Pp. viii + 232. £15.39/$17.59 Pb.
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- 14 August 2017, pp. 201-202
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Resisting Biopolitics: Philosophical, Political and Performative Strategies. Edited by S. E. Wilmer and Audrone Žukauskaitė . New York and London: Routledge, 2016. Pp. 318. $145/£90 Hb.
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- 27 March 2017, pp. 103-105
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African Theatre: Contemporary Women. Edited by Jane Plastow , Yvette Hutchison and Christine Matzke . Woodbridge: James Currey, 2015. Pp. xi + 144. £19.99 Pb.
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- 14 August 2017, pp. 202-204
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Performing (for) Survival: Theatre, Crisis, Extremity. Edited by Patrick Duggan and Lisa Peschel . Basingstoke: Palgrave Macmillan, 2016. Pp. 252. £74.05 Hb.
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- 27 March 2017, pp. 105-106
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Audience as Performer: The Changing Role of Theatre Audiences in the Twenty-First Century. By Caroline Heim . London and New York: Routledge, 2016. Pp. x + 190. £64/$125 Hb; £21.59/$47.95 Pb.
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- 10 January 2018, pp. 361-363
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Performing Opera: A Practical Guide for Singers and Directors. By Michael Ewans . London and New York: Bloomsbury Methuen Drama, 2016. Pp. xvii + 331. £85/$114 Hb; £25.99/$35.95 Pb.
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- 10 January 2018, pp. 363-364
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Dynamics of Distancing in Nigerian Drama: A Functional Approach to Metatheatre. By Nadia Anwar . Stuttgart: ibidem-Verlag, 2016. Pp. xiv + 256. £26.86/€29.90 Pb.
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- 14 August 2017, pp. 204-205
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It's All Allowed: The Performances of Adrian Howells. Edited by Deirdre Heddon and Dominic Johnson . Bristol: LADA and Intellect, 2016. Pp. 336 + illus. throughout. £20 Pb.
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- 27 March 2017, pp. 106-107
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Theatre, Performance and Cognition: Languages, Bodies and Ecologies. Edited by Rhonda Blair and Amy Cook . London: Bloomsbury Methuen Drama, 2016. Pp. xi + 243 + 4 illus. £95/$128 Hb; £28.99/$39.95 Pb.
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- 10 January 2018, pp. 364-366
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Performance Art in Ireland: A History. Edited by Áine Phillips . London: LADA/Intellect, 2015. Pp. 336 + 149 illus. £25/$36 Pb.
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- 27 March 2017, pp. 107-109
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Queer Dramaturgies: International Perspectives on Where Performance Leads Queer. Edited by Alyson Campbell and Stephen Farrier . Basingstoke and New York: Palgrave Macmillan, 2016. Pp. xix + 363. £50/$95 Hb.
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- 14 August 2017, pp. 205-207
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Books Received
Books Received
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- Published online by Cambridge University Press:
- 10 January 2018, pp. 367-368
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Books Received
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- 14 August 2017, p. 208
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Book Review
The Theatre of David Henry Hwang. By Esther Kim Lee . London: Bloomsbury Methuen Drama, 2015. Pp. x + 207. £21.99 Pb.
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- 27 March 2017, pp. 109-110
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Books Received
Books Received
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- 27 March 2017, pp. 111-112
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Front Cover (OFC, IFC) and matter
TRI volume 42 issue 3 Cover and Front matter
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- 10 January 2018, pp. f1-f4
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Dossier: Snapshot: Brazil
Introduction to Snapshot: Brazil
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- 10 July 2017, pp. 209-211
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