Book Review
Theatre, Body and Pleasure. By Simon Shepherd. London: Routledge, 2006. Pp. x + 198. £19.99/US-$31.95 Pb.; £70/US-$115 Hb.
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- 01 July 2007, pp. 203-204
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A Companion to Shakespeare and Performance. Edited by Barbara Hodgdon and W.B Worthen. Blackwell Publishing, 2005. Pp. xv+688, £95/US-$154.95 Hb.
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- 01 July 2007, pp. 204-205
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Modern Japanese Theatre and Performance. Edited by David Jortner, Keiko McDonald and Kevin J. WetmoreJr. Lanham and Oxford: Lexington Books, 2006. Pp. vii + 289 + illus. $85/£56/€88.20 Hb. - The Traditional Theatre of Japan: Kyogen, Noh, Kabuki, and Puppetry. By John Wesley Harris. New York: The Edwin Mellen Press, 2006. Pp. vi + 253 + 11 illus. £69.95/$109.95 Hb
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- 01 October 2007, pp. 334-336
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Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice. By Beth L. Glixon and Jonathan E. Glixon. Oxford: Oxford University Press, 2006. Pp. xxvi + 398 + illus. £29.99/$50 Hb
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- 01 October 2007, pp. 336-337
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Shakespeare's Humanism. By Robin Headlam Wells. Cambridge: Cambridge University Press, 2005. Pp. 278. £48/US-$85 Hb.
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- 01 July 2007, p. 205
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Shakespeare and Modernism. By Cary DiPietro. Cambridge: Cambridge University Press, 2006. Pp. 234 Hb. £50/US-$85 Hb.
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- 01 July 2007, pp. 205-206
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Australian Plays for the Colonial Stage 1834–1899. Edited by Richard Fotheringham. St Lucia: University of Queensland Press, 2006. Pp. lxxxvi + 732 + 30 illus. AUS$175 Hb; AUS$99.95 Pb
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- 01 October 2007, pp. 337-338
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Dramaturgy: A Revolution in Theatre. By Mary Luckhurst. Cambridge: Cambridge University Press, 2006. Pp. xiv + 298. £48/US-$85 Hb.
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- 01 July 2007, p. 207
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Staging Motherhood: British Women Playwrights, 1956 to the Present. By Jozefina Komporaly. Basingstoke: Palgrave Macmillan, 2006. Pp. xii + 208 + 4 illus. £45/$74.95 Hb
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- 01 October 2007, p. 338
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Science on Stage: From Doctor Faustus to Copenhagen. By Kirsten Shepherd-Barr. Princeton and Oxford: Princeton University Press, 2006. Pp. viii + 271. $29.95/£18.95 Hb
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- 01 October 2007, p. 339
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Devising Performance: A Critical History. By Deirdre Heddon and Jane Milling. Basingstoke: Palgrave Macmillan, 2006. Pp. vii + 272. £14.99/US-$24.95 Pb.; £45/US-$74.95 Hb.
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- 01 July 2007, p. 208
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Circus Bodies: Cultural Identity in Aerial Performance. By Peta Tait. London: Routledge, 2005. Pp. x + 187 + illus. £65 Hb.; £19.99 Pb.
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- 01 July 2007, p. 209
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Books Received
Books received
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- 01 October 2007, pp. 340-342
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Book Review
Acting Jewish: Negotiating Ethnicity on the American Stage and Screen. By Henry Bial. Ann Arbor: University of Michigan Press, 2005. Pp. viii + 195. US-$19.95 Pb.; US-$60.00 Hb.
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- 01 July 2007, pp. 209-210
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Books Received
Books Received
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- 01 July 2007, pp. 211-213
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Book Review 32:1
Fantasies of Empire: The Empire Theatre of Varieties and the Licensing Controversy of 1894. By Joseph Donohue. Iowa City: University of Iowa Press, 2005. Pp. 290 + xii + 24 illus. $44.95 Hb.
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- 01 July 2007, pp. 214-215
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The Censorship of British Drama 1900–1968. By Steve Nicholson. Exeter: Exeter University Press. Volume One: 1900–1932, 2003. Pp. x + 352. £39.50; $75 Hb; Volume Two: 1933–1952, 2005. Pp. vi + 432. £39.50; $75 Hb.
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- 01 July 2007, pp. 215-216
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The Nazi Appropriation of Shakespeare: Cultural Politics in the Third Reich. By Rodney Symington. Lewiston: Edwin Mellen Press, 2005. Pp. ix + 310. £74.95; $119.95 Hb.
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- 01 July 2007, pp. 216-217
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Science and the Stanislavsky Tradition of Acting. By Jonathan Pitches. Abingdon and New York: Routledge, 2005. Pp. x + 226. £65 Hb.
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- 01 July 2007, pp. 217-218
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Staging Dario Fo and Franca Rame: Anglo-American Approaches to Political Theatre. By Stefania Taviano. Aldershot: Ashgate, 2005. Pp. 136 + illus. £40; $79.95 Hb.
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- 01 July 2007, pp. 218-219
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