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Women in the American Theatre: Actresses and Audiences, 1790–1870. By Faye E. Dudden. New Haven and London: Yale University Press, 1994. Pp. viii + 260 + illus. £22.50.
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- 23 January 2009, pp. 81-82
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The Stage Designs of Inigo Jones: The European Context. By John Peacock. Cambridge: Cambridge University Press, 1995. Pp. xxii + 387 + illus. £75/$145.
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- 23 January 2009, pp. 175-176
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Melodrama and the Myth of America. By Jeffrey D. Mason. Bloomington and Indianapolis: Indiana University Press, 1993. Pp. xi + 247 + illus. £25.
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- 23 January 2009, pp. 176-177
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John Barrymore: A Biobibliography. By Martin F. Norden. Westport: Greenwood Press. 1995. Pp. xii + 306 + illus. $59.95 Hb.
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- 23 January 2009, pp. 267-268
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John Gay: A Profession of Friendship: A Critical Biography. By David Nokes. Oxford: Clarendon Press, 1995. Pp. xvi + 563 + illus. £25.
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- 23 January 2009, pp. 82-83
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Miller: Death of a Salesman. By Brenda Murphy. (Plays in Production Series.) Cambridge: Cambridge University Press, 1995. Pp. xx + 246 + illus. £30/$54.95; 10.95/16.95.
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- 23 January 2009, pp. 268-269
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Loïe Fuller: Danseuse de la Belle Epoque. By Giovanni Lista, Paris: Stock-Editions d'Art Somogy, 1994. Pp. 677 + illus. FF 240.
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- 23 January 2009, pp. 177-178
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The Shocking Ballad Picture Show. By Tom Cheesman. Oxford: Berg Publishers, 1994. Pp. 240. £39.95 Hb.
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- 23 January 2009, pp. 83-84
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Pinocchio's Progeny: Puppets, Marionettes, and Robots in Modernist and Avant-Garde Drama. By Harold B. Segal. Baltimore and London: P & J Books, The Johns Hopkins University Press, 1995. Pp. xi + 331 + notes, bibliography, index. $48.50 Hb; 16.95 Pb.
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- 23 January 2009, pp. 178-179
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Oscar Wilde: A Long and Lovely Suicide. By Melissa Knox. New Haven and London: Yale University Press, 1994. Pp.xxiv + 185 + illus. $25.
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- 23 January 2009, pp. 84-85
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Harlequin in Hogtown: George Luscombe and Toronto Workshop Productions. By Neil Carson. Toronto: University of Toronto Press, 1995. Pp. xi + 247 + illus. $50; 19.95.
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- 23 January 2009, pp. 269-271
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Peter Brook. By Albert Hunt and Geoffrey Reeves. (Directors in Perspective Series.) Cambridge: Cambridge University Press, 1995. Pp. xviii + 288 + illus. £35/$59.95; 12.95/17.95.
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- 23 January 2009, pp. 271-272
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Love Goes to Press (A Comedy in Three Acts). Written by Martha Gellhorn and Virginia Cowles. With an introduction by Martha Gellhorn. Edited by Sandra Spanier. Lincoln, Nebraska: University of Nebraska Press, 1995. Pp. xiv + 88 + illus. $34.50 Hb.
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- 23 January 2009, p. 180
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Drama und Theater der Europäischen Avant-Garde. Edited by Franz Norbert Men-nemeier and Erika Fischer-Lichte. Tübingen & Basel: A. Francke Verlag, 1994. Pp. xvi + 445 + illus. DM 128; SFr 128.
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- 23 January 2009, pp. 85-86
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The Rainbow of Desire: The Boal Method of Theatre and Therapy. By Augusto Boal. (Translated by Adrian Jackson.) London and New York: Routledge, 1995. Pp. xxvi + 188. £10.99 Pb.
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- 23 January 2009, pp. 272-273
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From Stanislavsky to Gorbachev, the Theater-Studios of Leningrad. By Douglas Graham Stenberg. (Russian and East European Studies in Aesthetics and the Philosophy of Culture 4.) New York: Peter Lang, 1995. Pp. 248 + illus. $54.95 Hb.
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- 23 January 2009, p. 86
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‘Vast Encyclopedia’: The Theatre of Thornton Wilder. By Paul Lifton. Westport, CT: Greenwood Press, 1995. Pp.xii + 225; $59.95Hb.
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- 23 January 2009, pp. 180-181
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Understanding Theatre: Performance Analaysis in Theory and Practice. By Jacqueline Martin and Willmar Sauter. (With contributions from Erika Fischer-Lichte, Kirsten Gram-Holmström, Patrice Pavis & Claude Schumacher.) Stockholm: Almqvist & Wiksell International, 1995. Pp. 270. SEK 232.
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- 23 January 2009, pp. 273-274
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Australian Contemporary Drama. By Dennis Carroll. Sydney: Currency Press, 1995. Pp. x + 432. AUS$35.
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- 23 January 2009, pp. 86-87
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British Realist Theatre: The New Wave in its Context 1956–1965. By Stephen Lacey. London and New York: Routledge, 1995. Pp. x + 206. £35; £11.99.
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- 23 January 2009, p. 181
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