Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 2
Building Bridges: Life on Dunbar's Arbor, Past and Present
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- Published online by Cambridge University Press:
- 10 October 2001, pp. 285-293
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Naked Truth: Theatrical Performance and the Diagnostic Turn
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- Published online by Cambridge University Press:
- 31 May 2011, pp. 148-162
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- Cited by 2
Transforming Tradition: Performances of Jingju (‘Beijing Opera’) in the UK
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- 21 December 2010, pp. 33-46
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- Cited by 2
Ästhetik des Performativen. By Erika Fischer-Lichte. Frankfurt am Main: Suhrkamp 2004. Pp. 378. € 14.00 Pb
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- 10 November 2005, pp. 307-309
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The Landscape of Węgajty Theatre
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- 01 November 2021, pp. 303-321
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‘A Kind of Woman’: The Elizabethan Boy-Actor and the Kabuki Onnagata
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- 23 January 2009, pp. 1-8
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Games for Actors and Non-Actors. By Augusto Boal, translated by Adrian Jackson. London and New York: Routledge, 1992. Pp. 247. £35 Hb, £9.99 Pb.
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- 23 January 2009, pp. 78-79
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Recasting the National Motherhood: Transactions of Western Feminisms in Korean Theatre
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- 11 August 2004, pp. 143-154
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The Audience. By Herbert Blau. Baltimore and London: John Hopkins University Press, 1990. Pp. 414. $14.95.
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- 23 January 2009, p. 73
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Fires and Fire Precautions in the French Theatre
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- 23 January 2009, pp. 237-249
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How did the Commedia dell'arte cross the Alps to Bavaria?
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- 23 January 2009, pp. 201-215
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Mei Lanfang and Stanislavsky: The (De)construction of an Intercultural Myth on the International Stage
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- 04 November 2020, pp. 264-280
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La Virtu et la volupté. Models for the Actress in Early Modern Italy and France
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- 23 January 2009, pp. 152-158
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The Development of the Roman Stage: A Missing Link Restored
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- 23 January 2009, pp. 37-45
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The Values of a Festival – the Swedish Theatre Biennale 2003
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- 10 November 2005, pp. 240-251
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‘Violence without Violence’: Spectacle, War and Lola Arias's MINEFIELD/CAMPO MINADO
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- 14 August 2017, pp. 163-178
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The Restorative Function of Language in Armand Gatti's Experimental Theatre for the ‘Exclus’1 of Society
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- 23 January 2009, pp. 36-52
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Theatre History and the Nation-State
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- 23 January 2009, pp. 141-148
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Applause for the Wrong Reasons: The Use of Applications for Political Purposes in Paris Theatres, 1780–1830
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- 23 January 2009, pp. 256-270
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Woman and the City: The Semiotics of Embodiment
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- 23 January 2009, pp. 99-110
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