Theatre Research International: Volume 20 - Issue 3

Published on behalf of The International Federation for Theatre Research

Only show content I have access to (2)

Over 3 years (31)

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save this undefined to your undefined account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your undefined account. Find out more about saving content to .

To save this article to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

URL: /core/journals/theatre-research-international
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

< Back to all issues

Volume 20 - Issue 3 - Autumn 1995

Contents

Page 2 of 2

First
« Prev
1
2
Next »
Last

Reviews

Acting Between The Lines: The Field Day Theatre Company and Irish Cultural Politics 1980–1984. By Marilynn J. Richtarik. Oxford: Clarendon Press, 1995. Pp. 356. £35.
Christopher Murray
Published online by Cambridge University Press:

23 January 2009, pp. 290-291
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

The Plays of David Hare. By Carol Homden. Cambridge: Cambridge University Press, 1995. Pp. xii + 262. £35/$59.95 Hb; £10.95/$16.95Pb.
Robert Wilcher
Published online by Cambridge University Press:

23 January 2009, pp. 291-292
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Theatre and Drama in Francophone Africa. By John Conteh-Morgan. Cambridge: Cambridge University Press, 1994. Pp. xii + 243. £35/$59.95.
Martin Banham
Published online by Cambridge University Press:

23 January 2009, p. 292
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

The World Encyclopedia of Contemporary Theatre: Volume 1: Europe. Edited by Don Rubin. London and New York: Routledge, 1994. Pp. xii + 1052. £100/$149.95.
Martin Banham
Published online by Cambridge University Press:

23 January 2009, pp. 292-293
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

The Cambridge Illustrated History of British Theatre. Edited by Simon Trussler. Cambridge: Cambridge University Press, 1994. Pp. xii + 404 + illus. £24.95/$39.95.
Edward Braun
Published online by Cambridge University Press:

23 January 2009, pp. 293-294
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Shakespeare as Prompter: The Amending Imagination and The Therapeutic Process. By Murray Cox and Alice Theilgaard. London: Jessica Kingsley Publishers, 1994. Pp. xxvi + 454. £22.50.
Jennifer McMahon
Published online by Cambridge University Press:

23 January 2009, p. 294
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

The Paper Canoe: A Guide to Theatre Anthropology. By Eugenio Barba. Translated by Richard Fowler. London: Routledge, 1994. Pp. x + 187. £35; 10.99.
David Wiles
Published online by Cambridge University Press:

23 January 2009, pp. 294-295
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Crossing The Stage: Controversies on Cross-Dressing. Edited by Lesley Ferris. London: Routledge, 1993. Pp. xiv + 198 + illus. £10.99 Pb.
Adrienne Scullion
Published online by Cambridge University Press:

23 January 2009, pp. 295-296
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Books Received

Books Received
Published online by Cambridge University Press:

23 January 2009, p. 297
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Front matter

TRI volume 20 issue 3 Cover and Front matter
Published online by Cambridge University Press:

23 January 2009, pp. f1-f5
- Article
- - You have access
- PDF
- Export citation

Back matter

TRI volume 20 issue 3 Back matter
Published online by Cambridge University Press:

23 January 2009, pp. b1-b2
- Article
- - You have access
- PDF
- Export citation

Page 2 of 2

First
« Prev
1
2
Next »
Last

Theatre Research International

Refine listing

Actions for selected content:

Volume 20 - Issue 3 - Autumn 1995

Reviews

Acting Between The Lines: The Field Day Theatre Company and Irish Cultural Politics 1980–1984. By Marilynn J. Richtarik. Oxford: Clarendon Press, 1995. Pp. 356. £35.

The Plays of David Hare. By Carol Homden. Cambridge: Cambridge University Press, 1995. Pp. xii + 262. £35/$59.95 Hb; £10.95/$16.95Pb.

Theatre and Drama in Francophone Africa. By John Conteh-Morgan. Cambridge: Cambridge University Press, 1994. Pp. xii + 243. £35/$59.95.

The World Encyclopedia of Contemporary Theatre: Volume 1: Europe. Edited by Don Rubin. London and New York: Routledge, 1994. Pp. xii + 1052. £100/$149.95.

The Cambridge Illustrated History of British Theatre. Edited by Simon Trussler. Cambridge: Cambridge University Press, 1994. Pp. xii + 404 + illus. £24.95/$39.95.

Shakespeare as Prompter: The Amending Imagination and The Therapeutic Process. By Murray Cox and Alice Theilgaard. London: Jessica Kingsley Publishers, 1994. Pp. xxvi + 454. £22.50.

The Paper Canoe: A Guide to Theatre Anthropology. By Eugenio Barba. Translated by Richard Fowler. London: Routledge, 1994. Pp. x + 187. £35; 10.99.

Crossing The Stage: Controversies on Cross-Dressing. Edited by Lesley Ferris. London: Routledge, 1993. Pp. xiv + 198 + illus. £10.99 Pb.

Books Received

Books Received

Front matter

TRI volume 20 issue 3 Cover and Front matter

Back matter

TRI volume 20 issue 3 Back matter

Theatre Research International

Refine listing

Actions for selected content:

Save Search

Volume 20 - Issue 3 - Autumn 1995

Reviews

Books Received

Front matter

Back matter