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The Restorative Function of Language in Armand Gatti's Experimental Theatre for the ‘Exclus’1 of Society

Published online by Cambridge University Press:  23 January 2009

Dorothy Knowles
Dorothy Knowles
Affiliation:
Hon. Research Fellow, Royal Holloway and Bedford New College, University of London.
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Extract

Armand Gatti is a recognized writer of politically committed plays. Jean-Paul Sartre speaking from the stage of the Théâtre National Populaire (T.N.P.) in Paris after the banning there of Gatti's La Passion du Général Franco saluted him as a leading exponent, along with Brecht, Gorki and Dürrenmatt of the popular theatre of the sixties.

Type
Articles
Information
Theatre Research International , Volume 18 , Issue 1 , Spring 1993 , pp. 36 - 52
Copyright
Copyright © International Federation for Theatre Research 1993

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References

Notes

2. see Schumacher, Claude, ‘Some Aspects of Blasphemy and Religion in Contemporary French Theatre’, Assaph C No. 6, 1990, pp. 112–5Google Scholar. Knowles, Dorothy, Armand Gatti in the Theatre, Wild Duck against the Wind, Athlone, 1989, pp. 163–8Google Scholar. Schumacher, C., ‘Gatti’, in Encyclopedia of World Literature in the Twentieth Century, Vol. 4. Ungar. New YorkGoogle Scholar. Knowles, D., ‘To be banned or not to be banned’, Drama, No. 70. (Summer 1970)Google Scholar. Bradby, David, Modern French Drama 1940–1990. Cambridge University Press, 1991, pp. 156–65.Google Scholar

3. Knowles, , op. cit., pp. 201–11, 226–41.Google Scholar

4. Chant public devant deux chaises électriques. See Knowles, . op. cit. pp. 116–29.Google Scholar

5. Liberté. 6.5.1989.Google Scholar

6. Gatti, Armand, Œuvres théâtrales d'Armand Gatti, Verdier, Vol. III, p. 1277.Google Scholar

7. Le Quotidien de Paris. 11.7.1990.Google Scholar

8. Knowles, . op. cit. pp. 241–5.Google Scholar

9. L'Autre Journal. 07 1991. No. 14.Google Scholar

10. Révolution. 17–23 01 1992. No. 620.Google Scholar

11. Kravetz, Marc, L'Aventure de la parole errante, L'Éther vague, 1987, pp. 31–2.Google Scholar