Erratum
Erratum
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- 23 January 2009, p. i
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Articles
A Commedia dell'arte Lazzo
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- 23 January 2009, pp. 1-3
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It Is Never Too Late to Mend (1865) and Prison Conditions in Nineteenth-Century England
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- 23 January 2009, pp. 4-15
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Sarah Bernhardt and the Refining of American Vaudeville
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- 23 January 2009, pp. 16-24
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Research in the Service of Theatre: the Example of Shakespeare Studies
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- 23 January 2009, pp. 25-35
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The Restorative Function of Language in Armand Gatti's Experimental Theatre for the ‘Exclus’1 of Society
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- 23 January 2009, pp. 36-52
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Performing Translation
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- 23 January 2009, pp. 53-60
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Reviews
Illustrations of the Stage and Acting in England to 1580. By Clifford Davidson. Early Drama, Art, and Music Monograph Series 16. Kalamazoo: Western Michigan University for the Medieval Institute, 1991. Pp. xviii + 176 + illus. $39.95.
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- 23 January 2009, p. 61
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Marlowe, Shakespeare, and the Economy of Theatrical Experience. By Thomas Cartelli. Philadelphia: University of Pennsylvania Press, 1991. Pp 241. $28.95.
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- 23 January 2009, pp. 61-62
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Shakespearean Subversions: The Trickster and the Play-Text. By Richard Hillman. London: Routledge, 1992. Pp. ix + 284. £35.
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- 23 January 2009, p. 62
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‘Othello’: New Perspectives. Edited by Virginia Mason Vaughan and Kent Cartwright. Rutherford, NJ: Fairleigh Dickinson University Press, 1991. Pp. 276 + illus. $41.50.
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- 23 January 2009, pp. 63-64
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Monsters of the Deep: Social Dissolution in Shakespeare's Tragedies. By David Margolies. Manchester and New York: Manchester University Press and St. Martin's Press, 1992. Pp. viii + 163. £29.95. - Titus Andronicus: Shakespeare in Performance. By Alan C. Dessen. Manchester and New York: Manchester University Press and St. Martin's Press, 1989, 1992. Pp. 123 + illus. £8.95.
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- 23 January 2009, pp. 64-65
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Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare's Plays, Hamlet to The Tempest. By Janet Adelman. London and New York, Routledge, 1992. Pp. xii + 379. £40 Hb, £11.99 Pb.
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- 23 January 2009, pp. 65-66
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The Death of the Actor: Shakespeare on Page and Stage by Martin Buzacott. London: Routledge, 1991. Pp. viii + 180. £30.
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- 23 January 2009, pp. 66-67
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Prologue to Performance: Spanish Classical Theater Today. Edited by Louise and Peter Fothergill-Payne. London and Toronto: Associated University Presses, 1991. Pp. 167. £25.
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- 23 January 2009, p. 67
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The First English Actresses: Women and Drama 1660–1700. By Elizabeth Howe. Cambridge: Cambridge University Press, 1992. Pp. 226 + illus. £35 Hb, £12.95 Pb.
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- 23 January 2009, pp. 67-68
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Congreve, the Drama, and the Printed Word. By Julie Stone Peters. California: Stanford University Press. Pp. 286. $32.50.
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- 23 January 2009, pp. 68-69
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Acts of Supremacy: The British Empire and the Stage, 1790–1930. By J. S. Bratton, Richard Allen Cave, Breandan Gregory, Heidi J. Holder, and Michael Pickering. Manchester and New York: Manchester University Press, 1991. Pp. viii + 248 + illus. $59.95.
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- 23 January 2009, pp. 69-70
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A Stage of Their Own. By Sheila Stowell. Ann Arbor: University of Michigan Press. 1992 Pp. 176. $34.50.
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- 23 January 2009, pp. 70-71
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The History of World Theater, Volume Two: From the English Restoration to the Present. By Felicia Hardison Londré. New York: Frederick Ungar/Continuum, 1991. Pp. 644 + illus. $49.50.
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- 23 January 2009, pp. 71-72
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