Volume 50 - Spring 1997
Reviews
Angelika Bönker-Vallon. Metaphysik und Mathemathik bei Giordano Bruno. Berlin: Akademie Verlag, 1995. viii + 281 pp. DM120.
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- 20 November 2018, pp. 1268-1269
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Reinhard Strohm. The Rise of European Music, 1380-1500. Cambridge: Cambridge University Press, 1993. xv + 720 pp. $95.00.
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- 20 November 2018, pp. 647-648
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William R. Newman. Gehennical Fire: The Lives of George Starkey, an American Alchemist in the Scientific Revolution. Cambridge, MA: Harvard University Press, 1994. 8 pls. + xiv + 348 pp. $49.95.
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- 20 November 2018, pp. 331-332
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Norman E. Land. The Viewer as Poet: The Renaissance Response to Art. University Park: Pennsylvania State Press, 1994. xx + 211 pp. + 38 b/w illus. $40.
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- 20 November 2018, pp. 940-941
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Stewart Pollens. The Early Piano-forte. (Cambridge Musical Texts and Monographs.) Cambridge: Cambridge University Press, 1995. 158 pls. + xx + 297 pp. $ 84.95.
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- 20 November 2018, pp. 1269-1270
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Alice Stroup. A Company of Scientists: Botany, Patronage, and Community at the Seventeenth-Century Parisian Royal Academy of Sciences. Berkeley: University of California Press, 1990. 5 pls + 387 pp. $49.95.
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- 20 November 2018, pp. 332-334
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Siegfried Gmeinwieser, David Hiley, Jörg Riedblauer, ed. Musicologist humana: Studies in Honor of Warren and Ursula Kirkendale. (“Historiae Musicae Cultores” Biblioteca, 74.) Florence: Olschki, 1994. 596 pp. IL127,000.
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- 20 November 2018, pp. 649-650
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William B. Jordan and Peter Cherry. Spanish Still Life from Velázquez to Goya. New Haven and London: Yale University Press, 1995. 100 color pls. + 120 b/w illus. + 224 pp. $45.
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- 20 November 2018, pp. 941-942
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Claudio Monteverdi. The Letters of Claudio Monteverdi. rev.ed. Trans. and intro. Denis Stevens. Oxford: Clarendon Press, 1995. xviii + 458 pp. $72.
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- 20 November 2018, pp. 1270-1271
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Michael Sean Mahoney. The Mathematical Career of Pierre de Fermat, 1601-1665. 2d ed. Princeton: Princeton University Press, 1994. xx + 432 pp. $18.95 pap.
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- 20 November 2018, pp. 334-335
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David Jaffé, with Denise Allen, Dawson W. Carr, Arianne Faber Kolb and Eva Kleeman. The Earl and Countess of Arundel: Renaissance Colleaors; An Exhibition at the J. Paul Getty Museum, Malibu, 2 May-1 October 1995. London: Apollo Magazine, 1995. 37 pp. + 11 pls. + 21 illus. $1.00, available from the Getty Museum Bookstore.
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- 20 November 2018, pp. 942-944
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John Kmetz, ed. Music in the German Renaissance: Sources, Styles and Contexts. Cambridge: Cambridge University Press, 1994. xvii + 289 pp. $69.95.
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- 20 November 2018, pp. 650-651
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Meeting Report
43rd Annual Meeting of the Council of the Renaissance Society of America
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- 20 November 2018, pp. 1272-1278
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Reviews
Henry Maguire. Art and Eloquence in Byzantium. Princeton: Princeton University Press, 1981, 1994. 111 figs. + xxiii + 148 pp. $18.95.
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- 20 November 2018, pp. 944-945
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Raymond A. Anselment. The Realms of Apollo: Literature and Healing in Seventeenth-Century England. Newark: University of Delaware Press; London: Associated University Presses, 1995. 316 pp. $47.50.
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- 20 November 2018, pp. 335-336
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Sebastian Virdung. Musica getutscht. A Treatise on Musical Instruments. Ed. and trans. Beth Bullard. (Cambridge Musical Texts and Monographs.) Cambridge: Cambridge University Press, 1993. xii + 275 pp. $69.95.
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- 20 November 2018, pp. 651-652
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Sachiko Kusukawa. The Transformation of Natural Philosophy: The Case of Philip Melanchthon. (Ideas in Context, 34.) Cambridge: Cambridge University Press, 1995. 16 pls. + xv + 246 pp. $59.95.
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- 20 November 2018, pp. 336-337
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Rob C. Wegman. Born for the Muses: The Life and Masses of Jacob Obrecht. Oxford: Clarendon Press, 1994. xxv + 406 pp. $45.00.
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- 20 November 2018, pp. 652-653
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Other
The Renaissance Society of America Financial Statements
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- 20 November 2018, pp. 1279-1293
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Reviews
Claude V. Palisca. Studies in the History of Italian Music and Music Theory. Oxford: Clarendon Press, 1994. xii + 522 pp. $55.
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- 20 November 2018, pp. 945-946
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