Popular Music: Volume 36 -

Popular Music

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Popular Music
ISSN: 0261-1430

EISSN: 1474-0095

URL: /core/journals/popular-music
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Popular Music

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Volume 36 - October 2017

Reviews

Digital Signatures: The Impact of Digitization on Popular Music Sound. By Ragnhild Brøvig-Hanssen and Anne Danielsen . Cambridge, MA: The MIT Press, 2016. 188 pp. ISBN 978-0-2620-3414-2

Anthem: Social movements and the sound of solidarity in the African diaspora. By Shana L. Redmond . New York: New York University Press, 2014. 345 pp. ISBN 978-0-8147-7041-2

Groove: A Phenomenology of Rhythmic Nuance. By Tiger C. Roholt . New York: Bloomsbury Academic, 2014. 175 pp. ISBN 978-1-4411-04182-2

Roots of the Revival: American & British Folk Music in the 1950s. By Ronald D. Cohen and Rachel Clare Donaldson . Urbana, IL: University of Illinois Press, 2014. 216 pp. ISBN 978-0-252-03851-8

Youth and Rock in the Soviet Bloc: Youth Cultures, Music, and the State in Russia and Eastern Europe. Edited by William Jay Risch . Lanham, MD: Lexington Books, 2015. 310 pp. ISBN 978-0-7391-6693-2

Rap and Hip Hop Culture. By Fernando Orejuela . New York: Oxford University Press, 2014. 272 pp. ISBN 9780199987733

Sacred and Secular Musics: A Postcolonial Approach. By Virinder S Kalra . London: Bloomsbury Academic. 2014. 256 pp. ISBN 9781441121325

Categorizing Sound: Genre and Twentieth-century Popular Music. By David Brackett . Oakland, CA: University of California Press, 2016. 368 pp. ISBN 9780520248717

American Popular Music in Britain's Raj. By Bradley G. Shope . Rochester, NY: University of Rochester Press, 2016. 256 pp. ISBN 13: 9781580465489

Mazel Tov Amigos: Jews and Popular Music in the Americas. Edited by Amalia Ran and Moshe Morad . Leiden: Brill, 2016. 255 pp. ISBN 9789004184473

The Country Music Reader. By Travis D. Stimeling . Oxford: Oxford University Press, 2014. 382 pp. ISBN 9780199314928

Into the Maelstrom: Music, Improvisation and the Dream of Freedom. By David Toop . New York: Bloomsbury Academic, 2016. 330 pp. ISBN 978-1-6289-2769-6

Music Theater and Popular Nationalism in Spain, 1880–1930. By Clinton D. Young . Baton Rouge, LA: Louisiana University Press, 2016. 238 pp. ISBN 978-0-8071-6102-9

Religion in Hip Hop: Mapping the New Terrain in the US. Edited by Monica R. Miller , Anthony B. Pinn and Bernard ‘Bun B’ Freeman . New York: Bloomsbury, 2015. 270 pp. ISBN 978-1-4725-0907-9

It's Been Beautiful: Soul! and Black Power Television. By Gayle Wald , Photographs by Chester Higgins . Durham, NC: Duke University Press, 2015. ISBN 978-0-8223-5837-4. 278 pp.

Edith Piaf: a Cultural History. By David Looseley . Liverpool: Liverpool University Press, 2015. 254 pp. ISBN 9781781382578

The Politics of Punk: Protest and Revolt from the Streets. By David A. Ensminger . Lanham, MD: Rowman and Littlefield, 2016. 225 pp. ISBN 978-1-4422-5444-2

The Irish Dancing: Cultural Politics and Identities, 1900–2000. By Barbara O'Connor . Cork: Cork University Press, 2013. 192 pp. ISBN 9781782050414

Punk and Revolution: Seven More Interpretations of Peruvian Reality. By Shane Greene . Durham, NC: Duke University Press, 2016, 235pp. ISBN 978-0-8223-6274-6

Street Ballads in Nineteenth-century Britain, Ireland, and North America: The Interface between Print and Oral Traditions. Edited by David Atkinson and Steve Roud . Farnham: Ashgate, 2014. 290 pp. ISBN 9781472427410

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Volume 36 - October 2017

Reviews