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Subjunctive pleasure: the odd hour in the boeremusiek museum
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- 09 January 2014, pp. 1-17
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The regional North Indian popular music industry in 2014: from cassette culture to cyberculture
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- 28 August 2014, pp. 389-412
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‘Find out what it means to me’: Aretha Franklin's gendered re-authoring of Otis Redding's ‘Respect’
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- 08 April 2014, pp. 185-207
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Curating popular music: authority and history, aesthetics and technology
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- 28 August 2014, pp. 413-427
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Welcome to the candy shop! Conflicting representations of black masculinity
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- 08 April 2014, pp. 209-224
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Buddy Esquire and the early hip hop flyer
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- 09 January 2014, pp. 19-38
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Formal negativities, breakthroughs, ruptures and continuities in the music of Modest Mouse
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- 28 August 2014, pp. 428-454
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Hearing punk as blues
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- 09 January 2014, pp. 39-67
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Cheer up emo kid: rethinking the ‘crisis of masculinity’ in emo
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- 08 April 2014, pp. 225-242
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‘The most Martian of Martianesses’: Zhanna Aguzarova, (post-)Soviet rock ‘n’ roll, and the musico-linguistic creation of the ‘outside’
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- 08 April 2014, pp. 243-267
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Porno Para Ricardo: rock music and the ‘obsession with identity’ in contemporary Cuba
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- 28 August 2014, pp. 455-472
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Rhythmic play, compositional intent and communication in rock music
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- 09 January 2014, pp. 69-90
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Motivic cohesion and parsimony in three songs from Gentle Giant's Acquiring the Taste (1971)
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- 08 April 2014, pp. 269-292
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‘Ga, ga, ooh-la-la’: the childlike use of language in pop-rock music
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- 09 January 2014, pp. 91-108
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Rhythm, rhyme and reason: hip hop expressivity as political discourse
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- 28 August 2014, pp. 473-491
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Investigating the origins of contemporary basics on the drum kit: an exploration of the role of the hi-hat in Anglo-American popular musics from 1960 until 1974
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- 08 April 2014, pp. 293-314
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Coming to the fore: the audibility of women's sexual pleasure in popular music and the sexual revolution
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- 09 January 2014, pp. 109-128
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Making claims on echoes: Dranem, Cole Porter and the biguine between the Antilles, France and the US
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- 28 August 2014, pp. 492-508
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Late-Stalinist ideological campaigns and the rupture of jazz: ‘jazz-talk’ in the Soviet Estonian cultural newspaper Sirp ja Vasar1
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- 28 August 2014, pp. 509-529
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‘One for all …’: The case of the MIMIs awards and their exemplarity of Montréal's ‘musiques émergentes’1
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- 09 January 2014, pp. 129-145
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