Reviews
No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism. By David W. Stowe. Chapel Hill, NC: University of North Carolina Press, 2011. 291 pp. ISBN 978-0-8078-3458-9
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- 09 January 2014, pp. 164-166
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Bad Vibrations: The History of the Idea of Music as a Cause of Disease. By James Kennaway. Farnham: Ashgate, 2012. 213 pp. ISBN 978-1-409-42642-4
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- 28 August 2014, pp. 546-549
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Groove Music: The Art and Culture of the Hip Hop DJ. By Mark Katz. New York: Oxford University Press, 2012. 333 pp. ISBN-10: 0195331125
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- 08 April 2014, pp. 353-355
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The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. By Timothy D. Taylor. Chicago, IL and London: University of Chicago Press, 2012. 345 pp. ISBN 978-0-226-79115-9
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- 28 August 2014, pp. 549-550
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Turkish Metal: Music, Meaning, and Morality in a Muslim Society. By Pierre Hecker. Farnham: Ashgate, 2012. 230 pp. ISBN 978-1-4094-3848-9 (hb); 978-1-4094-3849-6 (ebk)
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- 09 January 2014, pp. 166-168
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Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960–1975. By Duncan Heining. Sheffield: Equinox Publishing, 2012. 486 pp. ISBN 978-1-84553-405-9
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- 09 January 2014, pp. 168-171
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The Globalization of Irish Traditional Song Performance. By Susan H. Motherway. Farnham: Ashgate, 2013. 212 pp. ISBN 978-1-4094-3423-8
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- 28 August 2014, pp. 551-552
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Music and Identity in Norway and Beyond: Essays Commemorating Edvard Grieg the Humanist. Edited by Thomas Solomon. Bergen: Fagbokforlaget, 2011. 274 pp. ISBN 978-82-450-1112-8
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- 08 April 2014, pp. 355-356
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Le Jazz: Jazz and French Cultural Identity. By Matthew F. Jordan. Urbana, IL: University of Illinois Press, 2010. 298 pp. ISBN 978-0-252-07706-7
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- 28 August 2014, pp. 553-554
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Babylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan. By Marvin D. Sterling. Durham, NC: Duke University Press, 2013. 304 pp. ISBN 978-0822347224
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- 08 April 2014, pp. 357-358
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Play It Again: Cover Songs In Popular Music. Edited by George Plasketes. Aldershot: Ashgate Publishing, 2010. 267 pp. ISBN 978-0-7546-6809-1
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- 09 January 2014, pp. 171-173
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French Moves: The Cultural Politics of Le Hip Hop. By Felicia McCarren. Oxford: Oxford University Press, 2013. xxxviii + 202 pp. ISBN 978-0-19-993995
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- 28 August 2014, pp. 554-556
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Music is My Life: Louis Armstrong, Autobiography, and American Jazz. By Daniel Stein. Ann Arbor, MI: University of Michigan Press, 2012. 349 pp. ISBN 978-0-472-05180-9
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- 09 January 2014, pp. 173-175
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Writing the Record: The Village Voice and the Birth of Rock Criticism. By Devon Powers. Amherst & Boston, MA: University of Massachusetts Press, 2013. 176 pp. ISBN 978-1-62534-012-2
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- 08 April 2014, pp. 358-360
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Music Festivals and Regional Development in Australia. By Chris Gibson and John Connell. Farnham: Ashgate, 2012. 252 pp. ISBN 978-0-7546-7526-6
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- 09 January 2014, pp. 175-177
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‘Rock On’: Women, Ageing and Popular Music. Edited by Ros Jennings and Abigail Gardner. Farnham and Burlington, VT: Ashgate, 2012. xi + 174 pp. ISBN 978-1-4094-2841-1
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- 28 August 2014, pp. 557-560
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Men, Masculinity and The Beatles. By Martin King. Farnham: Ashgate, 2013. 218 pp. ISBN 978-1-409-42243-3
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- 08 April 2014, pp. 360-362
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Tony Allen: An Autobiography of the Master Drummer of Afrobeat. By Tony Allen with Michael E. Veal. Durham, NC and London: Duke University Press, 2013. 199 pp. ISBN 978-0-8223-5591-5
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- 28 August 2014, pp. 560-562
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Live from Dar es Salaam: Popular Music and Tanzania's Music Economy. By Alex Perullo. Bloomington, IN: Indiana University Press, 2011. 459 pp. ISBN 978-0-253-35605-5
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- 08 April 2014, pp. 362-365
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Before Elvis: The Prehistory of Rock ‘N’ Roll. By Larry Birnbaum. Lanham, Toronto, Plymouth: Scarecrow Press, 2013. x + 463 pp. ISBN 978-0-8108-8628-5
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- 09 January 2014, pp. 177-178
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