Popular Music: Volume 39 - Issue 3-4

Popular Music

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Popular Music
ISSN: 0261-1430

EISSN: 1474-0095

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Volume 39 - Issue 3-4 - December 2020

Review

Great Songwriting Techniques. By Jack Perricone. New York: Oxford University Press, 2018. 379 pp. ISBN: 9780199967674

Kick it: A Social History of the Drum Kit. By Matt Brennan. Oxford: Oxford University Press. 2020. 320 pp. ISBN 978-0-19-068387-0

Not As We Choose: Music, Memory and Technology. By Chris Cutler. Thornton Heath: ReR Megacorp/November Books, 2020. 212 pp. ISBN 9780956018458

Lipsynching. By Merrie Snell. New York: Bloomsbury Academic, 2020. 185 pp. ISBN 978-1-5013-5234-8

The Cambridge Companion to Music in Digital Culture. Edited by Nicholas Cook, Monique M. Ingalls and David Trippett. Cambridge: Cambridge University Press, 2019. 332 pp. ISBN 978-1-316-61407-5

Digital Sampling: The Design and Use of Music Technologies. By Paul Harkins. New York: Routledge, 2020. 208 pp. ISBN: 9781351209960

Designing the Music Business. Design Culture, Music Video and Virtual Reality. By Guy Morrow. Cham, Switzerland: Springer Nature Switzerland AG, 2020. 210 pp. ISBN 978-3-030-48113-1

‘Zeiten des Aufbruchs’: Populäre Musik als Medium gesellschaftlichen Wandels. Edited by Dominik Schrage, Holger Schwetter, and Anne-Kathrin Hoklas. Wiesbaden: Springer. 2019. 415 pp. ISBN: 978-3-658-21409-8

Pop Music and Hip Ennui: A Sonic Fiction of Capitalist Realism. By Macon Holt. London: Bloomsbury Academic, 2019. 208 pp. ISBN 978-1-5013-4666-8

British Progressive Pop 1970–1980. By Andy Bennett. London: Bloomsbury Academic, 2020. 162 pp. ISBN: 978-1-5013-3663-8

The Beatles and Sixties Britain. By Marcus Collins. Cambridge: Cambridge University Press, 2020. 365pp. ISBN: 978-1-108-47724-6

John C. Hajduk, Music Wars: Money, Politics, and Race in the Construction of Rock and Roll Culture. Lanham, MD: Lexington Books, 2018. 216 pp. ISBN: 978-1498575874

Popular Music and the Politics of Hope: Queer and Feminist Interventions. Edited by Susan Fast and Craig Jennex. Abingdon: Routledge, 2019. 338pp. ISBN: 978-1-138-05586-5

Wild Music: Sound and Sovereignty in Ukraine. By Maria Sonevytsky. Middletown, CT: Wesleyan University Press, 2019. 256 pp. ISBN 978-0-8195-7916-4

Independent Music and Digital Technologies in the Philippines. By Monika E. Schoop. New York: Routledge, [2017] 2019. 232 pp. ISBN 978-0-367-23151-4

Circuit Listening: Chinese Popular Music in the Global 1960s. By Andrew F. Jones. Minneapolis, MN: University of Minnesota Press, 2020. 292 pp. ISBN 978-1-5179-0206-3

Form as Harmony in Rock Music. By Drew Nobile. Oxford University Press, 2020. 268 pp. ISBN: 978-0-19-094835-1

On Popular Music and its Unruly Entanglements. Edited by Nick Braae and Kai Arne Hansen. Palgrave Macmillan, 2019. 269 pages. ISBN 978-3-030-18098-0

I'm Your Fan: the Songs of Leonard Cohen. By Ray Padgett. New York and London: Bloomsbury Academic. 152 pp. ISBN: 978-1-5013-5506-6

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Volume 39 - Issue 3-4 - December 2020

Review

Erratum