We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)
References
Berger, H.M.1999. Metal, Rock and Jazz: Perception and the Phenomenology of Musical Experience (Middletown, CT, Wesleyan University Press)Google Scholar
Birdsall, C.2012. Nazi Soundscapes: Sound, Technology and Urban Space in Germany 1933–45 (Chicago, IL, University of Chicago Press)Google Scholar
Kater, M.1992. Different Drummers: Jazz in the Culture of Nazi Germany (New York, Replica Books)Google Scholar
Salmi, H.2005. Wagner and Wagnerism in Nineteenth Century Sweden, Finland, and the Baltic provinces (New York, University of Rochester Press)Google Scholar
Walser, R.1993. Running with the Devil: Power, Gender and Madness in Heavy Metal Music (Hanover, NH, Wesleyan University Press)Google Scholar