Hostname: page-component-78c5997874-8bhkd Total loading time: 0 Render date: 2024-11-09T06:36:24.670Z Has data issue: false hasContentIssue false

Three moments of (mis)placed identity performance

Published online by Cambridge University Press:  19 June 2017

Tom Astley*
Affiliation:
Newcastle University E-mail: [email protected]

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Middle Eight
Copyright
Copyright © Cambridge University Press 2017 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 A third, and no less essentialised or unexpected, iteration of Latin nationality was performed by this same group later in the same event, as they led the audience in a Salsa dancing class. Quite what national symbols were incorporated in this performance is left unclear here, as this writer suffers from a morbid aversion to audience participation and had relocated to a quieter, and safer, distance by the time the dancing began.

2 Three French players were also substitutes on ‘French day’. For an exhaustive, and humorous, account of the match and celebrations, see: http://www.nufc.com/html/2012-13html/2013-02-24southampton-h.html. Photos from NUFC's official website can be found here: http://www.nufc.co.uk/page/News/Gallery/0,,10278~3088946,00.html

3 ‘The Blaydon Races’, originally a musical hall song, has become an unofficial terrace anthem for the club's fans, and can be heard as a chant at all NUFC games.