Volume 31 - April 2022
Research Article
Differentiating hands in square chant notation
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- 31 October 2022, pp. 99-121
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Revisiting ‘Toledo, Rome, and the Legacy of Gaul’: new evidence from the Divine Office
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- 07 April 2022, pp. 1-35
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Johannes de Muris's Musica speculativa cited by Jacobus de Ispania
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- 07 April 2022, pp. 37-63
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Jerome of Moray: a Scottish Dominican and the evolution of Parisian music theory 1220–1280
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- 31 October 2022, pp. 123-142
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On dubious claims regarding the enigmatic Chilston
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- 07 April 2022, pp. 65-90
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Hidden colouration: deep metrical flexibility in Machaut
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- 31 October 2022, pp. 143-167
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Review
Rachel May Golden, Mapping Medieval Identities in Occitanian Crusade Song. New York: Oxford University Press, 2020. xviii + 284 pp. £35.99. ISBN 978 0 190 94861 0.
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- 31 October 2022, pp. 169-172
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Dwight F. Reynolds, The Musical Heritage of Al-Andalus, SOAS Studies in Music. Abingdon: Routledge, 2021. xiii + 260 pp. ISBN 978 0 367 24314 2 (hardback); 978 0 429 28165 5 (ebook).
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- 07 April 2022, pp. 91-94
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David Andrés Fernández and Alejandro Vera, Los Cantorales de la Catedral de Lima: Estudio, Reconstrucción y Catálogo. Madrid: Sociedad Española de Musicología, 2022. 594 pp. €35. ISBN 978 84 86878 92 4.
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- 31 October 2022, pp. 172-176
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Sarah Ann Long, Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550, Eastman Studies in Music. Rochester, NY: University of Rochester Press; Woodbridge: Boydell & Brewer, 2021. xxv + 350 pp. ISBN 978 1 58046 996 8 (hardback); 978 1 78744 927 5 (ebook).
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- 07 April 2022, pp. 94-98
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Zsuzsa Czagány (ed.), Antiphonale Varadinense: s. XV, vol. I: Proprium de tempore; vol. II: Proprium de sanctis et commune sanctorum; vol. III: Tanulmányok / Essays, Musicalia Danubiana 26. Budapest: Research Centre for the Humanities, Institute of Musicology, 2019. In Hungarian with English translations by Ervin János Alácsi (I, II, III) and Eszter Gaál (I), and the English texts revised by David Hiley (I, II) and Roman Hankeln (III). 529 + 389 + 339 pp. €60. ISBN 978 615 5167 08 98 (set). - Gabriella Gilányi (ed.), Mosaics of the Plainchant Tradition of Transylvania: Interpreting the 14th-Century Antiphoner Fragments at Güssing, Resonemus pariter: Studies in Medieval Music History 1. Budapest: Research Centre for the Humanities, Institute of Musicology, 2019. In Hungarian and English, with an English translation by Brian McLean, his text revised by Ann Buckley. 218 pp. €18. ISBN 978 615 5167 24 9. - Gábriel Szoliva, OFM, Hymnuale ecclesiae Zagrabiensis: Traditionalism and Innovation in the Early 15th-Century Hymnal of Zagreb Cathedral, Resonemus pariter: Studies in Medieval Music History 2. Budapest: Research Centre for the Humanities, Institute of Musicology, 2019. In Hungarian, English and Croatian, with an English translation by Ádám Balázs Czinege and a Hungarian translation by Andrea Kovács, the translations revised by Ann Buckley, Domonkos Whitehouse, Jurij Snoj and Stanislav Tuksar. 289 pp. €18. ISBN 978 615 5167 25 6.
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- 31 October 2022, pp. 176-182
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Front Cover (OFC, IFC) and matter
PMM volume 31 issue 1 Cover and Front matter
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- 07 April 2022, pp. f1-f4
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Back Cover (IBC, OBC) and matter
PMM volume 31 issue 1 Cover and Back matter
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- 07 April 2022, pp. b1-b2
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Front Cover (OFC, IFC) and matter
PMM volume 31 issue 2 Cover and Front matter
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- 31 October 2022, pp. f1-f4
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Back Cover (IBC, OBC) and matter
PMM volume 31 issue 2 Cover and Back matter
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- 31 October 2022, pp. b1-b2
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