Editorial
Editorial: Context-based Composition
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- 19 December 2017, pp. 1-2
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Editorial: New Wor(l)ds for Old Sounds
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- 31 July 2018, pp. 133-143
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Editorial: Sound and kinetics – performance, artistic aims and techniques in electroacoustic music and sound art
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- 21 December 2018, pp. 219-224
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Articles
Materiality in Sound Art
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- 21 December 2018, pp. 225-234
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Four Key Concepts for Studying Context-based Compositions
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- 22 December 2017, pp. 3-11
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Between Szőke’s Sound Microscope and Messiaen’s Organ: The cultural realities of blackcap song
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- 31 July 2018, pp. 144-155
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Staging the Kinetic: How music automata sensitise audiences to sound art
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- 21 December 2018, pp. 235-245
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Orchestra Machines, Old and New
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- 31 July 2018, pp. 156-166
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Ad-Hoc Aesthetics: Context-dependent composition strategies in music and sound art
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- 26 December 2017, pp. 12-19
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The Anthropomorphic Analogy: Humanising musical machines in the early modern and contemporary eras
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- 31 July 2018, pp. 167-180
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Music as Organised Time: A strategy for transmedial composition and a questioning of the relation between music and sound
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- 21 December 2018, pp. 246-255
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Soundscape Composition: Enhancing our understanding of changing soundscapes
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- 22 December 2017, pp. 20-28
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In Environments: The convergence and divergence of practice
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- 26 December 2017, pp. 29-38
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Orphan Sounds: Locating historical recordings in contemporary media
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- 31 July 2018, pp. 181-188
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Theremin in the Press: Instrument remediation and code-instrument transduction
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- 21 December 2018, pp. 256-269
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Code-switching and Loanwords for the Audio Engineer: The flow of terminology from science, to music, to metaphor
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- 31 July 2018, pp. 189-194
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Promoting Environmental Awareness through Context-based Composition
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- 26 December 2017, pp. 39-50
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OB-scene, a Live Audio/Visual Performance for Photoplethysmograph and Female Body
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- 21 December 2018, pp. 270-276
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Unpacking the Musical and Technical Innovation of Knut Wiggen
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- 31 July 2018, pp. 195-207
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Applying Kinaesthetic Empathy and Extended Mind Theory to Invasive and Discreet Instruments in Sound-Based Live Performance
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- 21 December 2018, pp. 277-285
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