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Oberammergau, 1634–1990: the Play and the Passions
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- 15 January 2009, pp. 203-216
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Ways of Being an Artist
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- 15 January 2009, pp. 107-112
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Kantor, Memory, Memoire
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- 15 January 2009, pp. 299-302
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Brecht and Weigel at the Berliner Ensemble
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- 15 January 2009, pp. 3-19
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The Gender of Rosalind
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- 15 January 2009, pp. 113-125
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Howard Barker: Paradigm of Postmodernism
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- 15 January 2009, pp. 20-26
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Why This Farce?
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- 15 January 2009, pp. 217-228
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Echt Brecht? ‘Mother Courage‘at the Citizens,1990
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- 15 January 2009, pp. 303-314
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The Erotic in the Theatre of Peter Zadek
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- 15 January 2009, pp. 229-237
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Subverting Rosalind: Cocky Ros in the Forest of Arden
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- 15 January 2009, pp. 126-136
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A Tale of a Few Cities: Interculturalism on the Road
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- 15 January 2009, pp. 315-323
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A Theatre for Urban Renewal
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- 15 January 2009, pp. 27-34
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The Actor's Journey: ‘Judith’ from Training to Performance
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- 15 January 2009, pp. 137-146
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The Power of Sex: English Plays by Women, 1958–1988
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- 15 January 2009, pp. 238-245
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On Frank Wedekind
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- 15 January 2009, pp. 324-330
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Expressionism, Monumentalism, Politics: Emblematic Acting in Jessner's ‘Wilhelm Tell’ and ‘Richard III’
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- 15 January 2009, pp. 35-48
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John Barrymore's ‘Hamlet’ at the Haymarket Theatre, 1925
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- 15 January 2009, pp. 246-260
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Anti-Oedipus? Dada and Surrealist Theatre, 1916–35
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- 15 January 2009, pp. 331-347
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From Shakespeare to Shakespeare: the Theatre Transcended
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- 15 January 2009, pp. 49-63
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Peter Brook and the ‘Two Worlds’ of Theatre
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- 15 January 2009, pp. 147-159
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