Research Article
The Sky of the Theatre
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- 13 May 2010, pp. 99-101
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Václav Havel and the Expedient Politics of Translation
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- 05 February 2010, pp. 3-15
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Grotowski's First Tour Abroad: The Constant Prince in Scandinavia
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- 12 November 2010, pp. 307-318
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Nikolai Evreinov and Edith Craig as Mediums of Modernist Sensibility
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- 11 August 2010, pp. 203-216
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‘A Woman's Kingdom’: Minister of Culture Furtseva and Censorship in the Post-Stalinist Russian Theatre
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- 05 February 2010, pp. 16-24
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Reconstructing Theatre: the Globe under Dominic Dromgoole
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- 12 November 2010, pp. 319-328
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‘The D'Oyly Carte Boarding School’: Female Respectability in the Theatrical Workplace, 1877–1903
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- 11 August 2010, pp. 217-231
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On the Nature of Edward Gordon Craig's Über-Marionette
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- 13 May 2010, pp. 102-114
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Steven Berkoff, Choral Unity, and Modes of Governance
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- 11 August 2010, pp. 232-247
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Narrative Role-Play in Twentieth-Century German Cabaret and Political ‘Song Theatre’
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- 05 February 2010, pp. 25-37
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Living Truthfully: David Mamet's Practical Aesthetics
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- 12 November 2010, pp. 329-339
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Staging Shakespeare's Plays: a Choice of Theatres
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- 13 May 2010, pp. 115-120
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‘Does What?’: Acting, Directing, and Rehearsing Martin Crimp's Fewer Emergencies
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- 13 May 2010, pp. 121-132
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Still a Revolutionary …
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- Published online by Cambridge University Press:
- 12 November 2010, pp. 340-350
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Swimming in Histories of Gender Oppression: Grupo XIX de Teatro's Hysteria
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- 05 February 2010, pp. 38-48
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Song of the Goat Theatre: Finding Flow and Connection
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- 11 August 2010, pp. 248-260
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Hearing Hope: Metatheatrical Utopias in the ‘Staging’ of Radio Drama
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- 05 February 2010, pp. 49-60
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Song of the Goat Theatre: Artistic Practice as Life Practice
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- 11 August 2010, pp. 261-272
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Site-Specific Dance in a Corporate Landscape
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- 13 May 2010, pp. 133-144
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Contemporary Politics and Empathetic Emotions: Company B's Antigone
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- 12 November 2010, pp. 351-360
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