Editorial
Editorial: Connections with Clive
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- 02 November 2007, p. 291
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Research Article
Jugglers, Fakirs, and Jaduwallahs: Indian Magicians and the British Stage
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- 16 January 2007, pp. 3-24
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Other
Reinventing Theatre
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- 17 May 2007, pp. 99-114
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Research Article
Nobody, Somebody, and King Lear
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- 14 August 2007, pp. 195-207
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Acts of Creative Vandalism? Plane Performance Deconstruct the Canon
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- 14 August 2007, pp. 208-218
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The Theatrical Politics of Chicana/Chicano Identity: from Valdez to Moraga
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- 16 January 2007, pp. 25-34
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Clive Barker: Man of Counterpoint
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- 02 November 2007, pp. 292-294
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The Actor's Second Nature: Stanislavski and William James
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- 17 May 2007, pp. 115-123
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The Paradox of Quaker Theatre
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- 14 August 2007, pp. 219-228
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A Brief History of Clive Barker
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- 02 November 2007, pp. 295-303
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Hanswurst and Herr Ich: Subjection and Abjection in Enlightenment Censorship of the Comic Figure
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- 17 May 2007, pp. 124-135
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Punk Rock as Popular Theatre
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- 16 January 2007, pp. 35-48
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Becoming More Provincial? The Global and the Local in Theatre History
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- 14 August 2007, pp. 229-240
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Lament and Revenge in the Hekabe of Euripides
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- 16 January 2007, pp. 49-57
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Theatre Workshop and the Spanish Drama
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- 02 November 2007, pp. 304-316
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Celebrity versus Tradition: ‘Branding’ in Modern British Pantomime
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- 17 May 2007, pp. 136-151
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Ann-Christin Rommen in conversation with Maria Shevtsova Experiencing the Movement: Working with Robert Wilson
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- 16 January 2007, pp. 58-66
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The Shadows and the Rush of Light: Ewan MacColl and Expressionist Drama
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- 02 November 2007, pp. 317-325
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An Uncanny Theatricality: the Representation of the Offstage
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- 17 May 2007, pp. 152-160
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What is Black Theatre? The African-American Season at the Tricycle Theatre
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- 14 August 2007, pp. 241-252
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