Research Article
BLAKflip and Beyond: Aboriginal Performers and Contemporary Circus in Australia
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- 11 October 2017, pp. 307-319
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‘Humanity Doesn’t Exist Yet’: Democracy as a Kind of Prophecy
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- 10 July 2017, pp. 203-215
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The Pagan-Christian Admixture in Romeo Castellucci's Oedipus the Tyrant
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- 12 April 2017, pp. 99-112
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Picturing Nineteenth-Century Female Theatre Managers: the Iconology of Eliza Vestris and Sara Lane
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- 10 January 2017, pp. 3-21
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Squaring the Circle: Comparing the Fortune and the Globe
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- 10 July 2017, pp. 216-218
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Bare Theatre of a Bare Life: a Community-Based Project in Jaffa
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- 12 April 2017, pp. 113-124
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‘Another National Anthem’: Public Memory, Burkean Identification, and the Musical Assassins
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- 11 October 2017, pp. 320-332
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Performativity and Nomadic Subjectivity in Shobana Jeyasingh's TooMortal
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- 10 January 2017, pp. 22-30
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Pam Gems, Jane Lapotaire, and a Phenomenon Named Piaf
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- 10 July 2017, pp. 219-226
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Performing Ancient Greek Tragedy in Twentieth-Century Greece: Dimitris Rontiris and Karolos Koun
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- 10 January 2017, pp. 31-46
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The Absurdity of Denial: Staging the American Way of Death
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- 12 April 2017, pp. 125-142
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The Anatomy of the Science Play
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- 11 October 2017, pp. 333-344
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Online Role-playing Games and the Definition of Theatre
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- 11 October 2017, pp. 345-359
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Odysseus under Occupation: Border Crossings’ When Nobody Returns
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- 10 July 2017, pp. 227-239
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Tragedy Plus Time: Transforming Life Experience into Stand-Up Comedy
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- 12 April 2017, pp. 143-155
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Cathcart vs Brooke: a Touring Actress and a Trial of Public Private Identity in the Australian Colonies
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- 10 January 2017, pp. 47-58
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Inverting the Formula: Devising through Adaptation
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- 10 July 2017, pp. 240-253
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After Dada: Fluxus as a Nomadic Art Movement
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- 10 January 2017, pp. 59-64
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Resisting the Irish Other: the Berliner Ensemble's Production of The Playboy of the Western World
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- 12 April 2017, pp. 156-168
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Crush Humanity One More Time: Martin McDonagh's The Pillowman in Žižekian Terms
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- 11 October 2017, pp. 360-370
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