Research Article
Why Did Antigone Kill Herself?
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- 15 January 2009, pp. 107-109
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Meyerhold: the Final Act
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- 15 January 2009, pp. 3-15
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Bottom and the Boys
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- 15 January 2009, pp. 307-315
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Women and the Women's Movement in Contemporary Spanish Theatre
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- 15 January 2009, pp. 203-210
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Giorgio Strehler's Faust Project: Signification and Reception Strategies
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- 15 January 2009, pp. 211-224
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Footsbarn: from a Tribal ‘Macbeth’ to an Intercultural ‘Dream’
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- 15 January 2009, pp. 16-30
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Social Space in Ancient Theatres
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- 15 January 2009, pp. 316-328
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The Heroine, the Harpy, and the Human Being
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- 15 January 2009, pp. 110-120
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Collaboration, Translation, Interpretation
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- 15 January 2009, pp. 31-36
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Poaching in Thatcherland: a Case of Radical Community Theatre
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- 15 January 2009, pp. 121-133
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Questions of Survival: towards a Postmodern Feminist Theatre
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- 15 January 2009, pp. 225-230
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Direct Action, Dramatic Action: Theatre and Situationist Theory
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- 15 January 2009, pp. 329-340
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Building an Unstable Pyramid: the Fragmentation of Alternative Theatre
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- 15 January 2009, pp. 341-356
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Varieties of Monologic Strategy: the Dramaturgy of Len Jenkin and Mac Wellman
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- 15 January 2009, pp. 134-146
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Not Only a Question of Money: Shakespeare and the Ego Decade
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- 15 January 2009, pp. 37-43
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Three Plays by Deborah Levy: a Brief Introduction
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- 15 January 2009, pp. 230-232
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The Rhetoric of Theory: the Role of Metaphor in Brook's ‘The Empty Space’
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- 15 January 2009, pp. 246-254
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Travails of a Naked Typist: the Plays of C. P. Taylor
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- 15 January 2009, pp. 44-58
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Hide and Seek: the Search for a Lesbian Theatre Aesthetic
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- 15 January 2009, pp. 147-158
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Theatres of Choice and the Case of ‘He's Having Her Baby’
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- 15 January 2009, pp. 357-366
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