Research Article
Performance, Embodiment, Voice: the Theatre/Dance Cross-overs of Dodin, Bausch, and Forsythe
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- 10 January 2003, pp. 3-17
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The Performative Self: Improvisation for Self and Other
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- 10 January 2003, pp. 18-22
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The Events of June 1848: the ‘Monte Cristo’ Riots and the Politics of Protest
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- 10 January 2003, pp. 23-32
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Culture, Memory, and American Performer Training
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- 10 January 2003, pp. 33-40
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The Maker and the Tool: Charles Parker, Documentary Performance, and the Search for a Popular Culture
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- 10 January 2003, pp. 41-66
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Simple Pleasures: the Ten-Minute Play, Overnight Theatre, and the Decline of the Art of Storytelling
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- 10 January 2003, pp. 67-81
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Archive or Memory? The Detritus of Live Performance
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- 10 January 2003, pp. 82-89
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NTQ Reports and Announcements
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- 10 January 2003, pp. 90-91
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NTQ Book Reviews
The Medieval European Stage 500–1550 by William Tydeman, ed., Cambridge: Cambridge University Press, 2001, 720 p. £90 (ISBN 0-521-24609-1).
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- 10 January 2003, p. 92
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Hamlet in Pieces by Andy Lavender, London: Nick Hern Books, 2001. £14.00 (ISBN 1-85459-618-7).
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- 10 January 2003, p. 92
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Shakespeare and Feminist Performance: Ideology on Stage by Sarah Werner, London; New York: Routledge, 2001. 132 p. £16.99. ISBN 0-415-22730-5.
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- 10 January 2003, p. 93
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Shakespeare Criticism in the Twentieth Century by Michael Taylor, Oxford: Oxford University Press, 2001. 278 p. £30.00 (hbk), £12.99 (pbk). ISBN 0-19-871185-9 (hbk), 0-19-871184-0 (pbk).
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- 10 January 2003, pp. 92-93
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The Adelphi Players by Cecil Davies, London: Routledge Harwood, 2002. 72 p. ISBN 0-415-27026-X. Theatres of Conscience, 1939–53 by Peter Billingham, London: Routledge Harwood, 2002. 163 p. ISBN 0-415-27028-6.
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- 10 January 2003, pp. 93-94
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Alan Ayckbourn: Grinning at the Edge by Paul Allen, London: Methuen, 2001. 337 p. £19.99. ISBN 0-413-73120-X.
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- 10 January 2003, p. 94
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Beckett: Waiting for Godot by David Bradby, Cambridge: Cambridge University Press, 2001. 247 p. £14.95. ISBN 0-521-59510-X.
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- 10 January 2003, p. 95
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The Crafty Art of Playmaking by Alan Ayckbourn, London: Faber and Faber, 2002. 173 p. £14.99. ISBN 0-517-21509-2.
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- 10 January 2003, pp. 94-95
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The Alexander Technique for Actors by Kelly McEvenue, London: Methuen, 2001. 148 p. £12.99. ISBN 0-413-71010-6.
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- 10 January 2003, pp. 95-96
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The Moving Body (Le Corps poétique): Teaching Creative Theatre by Jacques Lecoq, with Jean-Gabriel Carasso and Jean-Claude Lallias, trans. David Bradby. London: Methuen, 2000. 169 p. ISBN 0-413-7719-4.
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- 10 January 2003, p. 96
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