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A Theatre of the Everyday: the Plays of Michel Vinaver
Published online by Cambridge University Press: 15 January 2009
Abstract
It has only been in the last few years that the plays of Michel Vinaver have begun to be discovered and produced in Britain. Yet he has been working as a playwright in his native France since 1955, and has become increasingly respected and widely produced there since overcoming a seven-year ‘writer's block’ in 1967. Here, David Bradby's introduction to Vinaver's dramaturgy is followed by a detailed analysis of one of his most recent plays, L'Emission de télévision, and this critical material is complemented by a chronology of Vinaver's career, excerpted statements by and about the writer – including an ‘auto-interview’ of Vinaver by Vinaver – and a bibliography. David Bradby is Professor of Drama and Head of the Department of Drama and Theatre Studies at Royal Holloway and Bedford New College, University of London: he has published widely, especially on the French theatre, and his major study, Modern French Drama, 1940–1990, has recently appeared in a revised edition from Cambridge University Press. He is currently working on a study of Vinaver for the University of Michigan Press. Michel Vinaver's own assessment of the present state of French theatre funding was included in NTQ25 (1991).
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- Copyright © Cambridge University Press 1991
References
Notes and References
1. This play was produced by Roger Planchon in 1956 at his Théâtre de la Comédie, Lyon, under the title Aujourd'hui, ou Les Coréens (To-day, or The Koreans), but the text was published as just Les Coréens.
2. Vinaver, Michel, Ecrits sur le théâtre (Lausanne: L'Aire, 1982), p. 123Google Scholar
3. Ibid.
4. Ibid., p. 130.
5. Before returning to live in France, Vinaver spent some months staying with his uncle, Eugène Vinaver, who was Professor of French at Manchester University. It was here that he undertook the translation of The Waste Land. It remained unpublished until 1984, when it appeared in Poesie, No. 31.
6. ‘La Terre vague’ (Vinaver's introduction to his translation), Poesie, op. cit., p. 4.
7. Ibid.
8. The article is reprinted in Ecrits sur le théâtre, p. 23–7.
9. ‘Une Expérience radicale: Ubu Roi aux nuits théâtrales d'Annecy’, reprinted in Ecrits sur le théâtre, p. 31–5.
10. Reprinted in Ecrits sur le théâtre, p. 154.
11. Barthes's article is reprinted in Vinaver, Théâtre Complet, Vol. 1 (Actes Sud and L'Aire, 1986), p. 37–40.
12. ‘La Fin et les moyens de l'acteur’, reprinted in Ecrits sur le théâtre, p. 50–76.
13. Ecrits sur le théâtre, p. 12.
14. Ibid., p. 315.
15. Ibid., p. 125.
16. Ibid., p. 132.