After fifteen years absence, Jerzy Grotowski returned to Wroclaw on 6 March 1997, for the presentation of an award for his contribution to Polish Culture made by the Cultural Foundation's chairman, Stefan Starczewski. Grotowski was accompanied by his protégé and collaborator, Thomas Richards, and went to great lengths to establish Richards's equal and often major contribution to the laboratory work at Pontedera in Italy, which they had been jointly leading since 1986. This work has eschewed publicity, has never sought an audience, and has only been witnessed by chosen groups of sympathetic experts, who have been felt necessary at times for its validation. Initiated and sustained because of the reputation which had accrued to Grotowski during the various phases of his earlier career, the danger was that it might cease to attract support on the demise of its principal validator – which, as one of Grotowski's replies at the Wroclaw meeting anticipated, sadly occurred last year. By acknowledging the functional and artistic importance of Thomas Richards, Grotowski here establishes the argument for his work – described in detail in Richards's own At Work with Grotowski on Physical Actions (Routledge, 1995) – to be continued, as the status of the old master passes to the new. Joanna Ostrowska, who is currently working at the Institute of Cultural Studies, Adam Mickiewicz University, Poznan, here offers her own impressions of the Wroclaw meeting.