The author aims in this article is to highlight a significant moment in the history of the reception of Shakespeare in modern Greek theatre. The article outlines the main developments in the perception of Shakespeare's work in Greece from the mid-nineteenth century until the Second World War, and examines Karolos Koun's early experiments in Shakespearean production. Koun's initiatives were diametrically opposed to local theatre traditions, which emphasized psychological or historical realism and pictorial or spectacular illusion. The use of non-realistic stage conventions such as masks and simple, abstract and allusive settings, flamboyant costumes, stylized acting, and the fact that all roles were played by young boys demonstrate the significance of Koun's contribution to a modernist Shakespeare in Greece, culminating in his Romeo and Juliet with the Royal Shakespeare Company at Stratford in 1967. Antonis Glytzouris is Associate Professor in the School of Drama at the Aristotle University Thessaloniki, and is author of Stage Direction in Greece: the Rise and Consolidation of the Stage Director in Modern Greek Theatre (Herakleio: Crete University Press, 2011), among other publications.