Christopher Duggan made extensive use of the correspondence of the American Times journalist William James Stillman in writing his important biography of Francesco Crispi. This article focuses on Stillman’s published works that deal with the Italian statesman, principally his 1898 history of Italy since 1815, the first and only English-language biography of Crispi until Duggan’s, and the journalist’s own autobiography. It argues that, despite Stillman’s much vaunted love for Italy, he in fact despised most Italians, and saw in Crispi’s virtues a rejection of typical Italian conduct. While Stillman was extreme but not altogether unusual among British and American commentators on Italy in his passionate support for Crispi, his contempt for Italians was surprisingly widespread among late Victorian observers of the new nation.

This article starts by discussing aspects of Christopher Duggan’s first book La mafia durante il fascismo, published in 1986, whose main topic was the anti-mafia campaign led by the prefect Cesare Mori in the latter half of the 1920s. The book’s distinctive features were its rigorous historical approach and use of archival sources: these set it apart from most other work on these topics at the time, when the idea that the mafia could be subjected to historical research had not yet been properly established. In its central thesis Duggan’s book was influenced by previous interpretations of the mafia, then still widely shared, that denied its nature as a structured organisation. Duggan argued here that Fascism used accusations of mafia involvement essentially as a way of attacking its political opponents. The final part of the article presents key aspects of a newer area of research on the mafia and Fascism, the 1930s, when a new campaign to suppress the mafia was not made use of for propaganda purposes.

The attempt to halt the remorseless spread of organised crime in the Italian South should not just be an issue for the judges, investigating magistrates and forces of order; every citizen should feel that they are an integral part of a wind of change, coming from below, that can have a decisive impact on local society. Starting from this premise, art and culture, adopting an approach of participation and involvement, can play a primary role in processes of renewal. In various areas within the provinces of Naples and Caserta, carefully researched works of street art, with the direct involvement of the local population, have provided the means for intervention in decaying and marginal environments where organised crime seemed to be so well entrenched as to be ineradicable. This article presents four case studies, analysing their assumptions, methodology and objectives.

The anti-mafia operation undertaken in Sicily by the fledgling Fascist government had a powerful symbolic meaning in the construction of the ‘new state’. As a result, it left behind a wealth of sources: from the diaries of the prefect Cesare Mori and Alfredo Cucco, the Fascist Party’s representative in Sicily, to the many trials against ‘criminal associations’ from 1927 onwards. These sources are at the centre of a historiographical debate that dates back to the 1980s, and which has recently brought to light numerous elements of the complex relationship between Fascism and the Sicilian Mafia. In contrast, despite a similar level of publicity, the law and order operation launched in the same year of 1926 in Campania, in the province of Caserta, has largely been forgotten, and has received little historical analysis. This article presents the early results of research into the Fascist suppression of the mafia in Campania in 1926 and 1927, focusing on the city of Naples and the province of Caserta (Terra di Lavoro). An initial study of judicial sources suggests that, unlike Sicily, the notion of ‘organised crime’ that underpinned the inquiries was largely denied in the final verdicts.

In 1961 the peace activist and anti-mafia campaigner Danilo Dolci spoke at a protest event at the Italian centennial of unification celebrations hosted by the City of Philadelphia. The reactions to the talk he gave on development initiatives in Western Sicily provide some insight into the transnational discussion that was developing around the mafia, governance and leadership in the late 1950s and early 1960s. Dolci and his supporters made the suggestion that the problems encountered by the post-war governments in Italy, Sicily and Philadelphia were a result of leaderships which presented or made the appearance of change but did not fix the underlying problems. This article maps how the conversation developed, why the idea of the mafia as a ‘thing’, an operating criminal organisation with Sicilian origins, was such an important narrative, and what it meant for those trying to make a claim to leadership positions.

The article examines certain of the more recent perspectives on twentieth- century dictatorship, looking in particular at the complex relationship between the dictator and the people. Extending its range beyond that of the ‘classic’ totalitarianisms, the paper argues for a more nuanced approach to the question of popular support for or resistance to regimes and suggests that many of the old binaries concerning popular attitudes need to be revised, with a consequent readjustment of the roles often attributed to violence, to ideology and other cultural factors, and to the varied seductive attractions of mass mobilisation. While pointing to the difficulties of reaching any very definite conclusions in an area characterised by ambivalence and ambiguity, the paper attempts to suggest certain variables related to popular behaviour that may have determined the degree to which regimes were able to impose domination.

This article examines how Italy has dealt with the physical remains of the Fascist regime, as a window onto Italian attitudes to the past. The ventennio left indelible marks on Italy’s cities in the form of urban projects, individual buildings, monuments, plaques and street names. In effect, the survival of physical traces contrasts with the hazy memories of Fascism that exist within the Italian collective consciousness. Conspicuous, yet mostly ignored, Italy’s Fascist heritage is hidden in plain sight. However, from the 1990s, buildings associated with the regime have sparked a number of debates regarding the public memory of Fascism. Although these debates present an opportunity to re-examine history, they may also be symptomatic of a crisis in the Italian polity and of attempts to rehabilitate Fascism through historical revisionism.

This is a full bibliography of the works of Christopher Duggan, including his D.Phil thesis, books, contributions to edited collections, articles in journals, newspapers and other periodicals, book reviews and review articles. It illustrates both the range of his own scholarship and his engagement with the fields of modern Italian history, politics, society and culture.