We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
The Patriarchy Problem: Sexism, Homophobia, and the Many Faces of Transgression to Normative Representations of Difference
Review products
TENTATIVE TRANSGRESSIONS: HOMOSEXUALITY, AIDS, AND THE THEATER IN BRAZIL. By AlbuquerqueSeverino J. (Madison: University of Wisconsin Press, 2003. Pp. xiii+255. $29.95 paper.)
TEATRO DE CABARET: IMAGINARIOS DISIDENTES. By AlzateGastón A. (Irving, CA: Ediciones de Gestos, 2002. Pp. 160. $17.50 paper.)
TEATRO CONTEMPORÁNEO JUDEOARGENTINO: UNA PERSPECTIVA FEMINISTA BÍBLICA. By HolteMatilde Raquel. (Buenos Aires: Ensayos, 2004. Pp. 212.)
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
Arrizón, Alicia and Manzor, Lilian, eds. 2000Latinas on Stage. Berkeley: Third Woman Press.Google Scholar
Bach, Alice1997Women, Seduction, and Betrayal in Biblical Narrative. London: Cambridge University Press.Google Scholar
Berman, Sabina2000Feliz Nuevo Siglo Doktor Freud. Mexico: Tramoya.Google Scholar
Bixler, Jacqueline2000Sediciosas seducciones: Sexo, poder y palabras en el teatro de Sabina Berman. México: Escenología/Virginia Tech UniversityGoogle Scholar
Boudet, Rosa Eliana1983Teatro Nuevo: una respuesta. La Habana: Editorial Letras Cubanas.Google Scholar
Butler, Judith1990 “Performative Acts and Gender Construction.” In Performing Feminisms: Feminist Critical Theory and Theatre, edited by Case, Sue-Ellen, 270–82. Baltimore: Johns Hopkins University Press.Google Scholar
Cohen, Ed1991 “Writing Gone Wilde.” In Critical Essays on Oscar Wilde, edited by Gagnier, Regenia, 68–87. New York: G. K. Hall.Google Scholar
Cypress, Sandra Messinger2005 “Griselda Gambaro.” in Dictionary of Literary Biography. Volume 305: Latin American Dramatists, edited by Versényi, Adam, 153–66. Detroit: Thomson/Gale.Google Scholar
Damasceno, Leslie1994 “‘O Teatro Essencial’ de Denise Stoklos.” Tramoya40/42 (1994): 177–85. Special issue on Brazilian theatre, edited by Beatriz J. Rizk.Google Scholar
Firmat, Gustavo Pérez1994Life on the Hyphen: The Cuban-American Way. Austin: University of Texas Press.Google Scholar
Fusco, Coco, ed. 2000Corpus Delecti: Perfomance Art of the Americas. London/ New York: Routledge.Google Scholar
Glickman, Nora1994 “Jewish Women Writers in Latin America.” In Women of the Word: Jewish Women and Jewish Writing, edited by Baskin, Judith R., 299–322. Detroit: Wayne State University Press.Google Scholar
Glickman, Nora, and Waldman, Gloria, eds. 1996Argentine Jewish Theatre: A Critical Anthology. Lewisburg: Bucknell University PressGoogle Scholar
Hutchison, Elizabeth Quay2003 “Add Gender and Stir?: Cooking up Gendered Histories of Modern Latin America.” Latin American Research Review38 (1): 267–287.CrossRefGoogle Scholar
Issacharoff, Michael1981 “Space and Reference in Drama.” Poetics Today2 (3): 211–24.CrossRefGoogle Scholar
Junge, Benjamin2004 “Heterossexuais em eventos públicos gays: a ‘Parada Livre’ em Porto Alegre, 2002.” In Construções da Sexualidade: Gênero, identidade e comportamento em tempos de AIDS, edited by Uriel, Anna Paul, Rios, Luis Felipe, and Parker, Richard Guy, 131–49. Rio de Janeiro: Editora Pallas.Google Scholar
Kaiser-Lenoir, Claudia1977El grotesco criollo: Estilo teatral de una época. La Habana: Casa de las Américas.Google Scholar
LaBelle, Jenijoy1988Herself Beheld: The Literature of the Looking Glass. Ithaca: Cornell University Press.Google Scholar
Lindstrom, Naomi1989Jewish Issues in Argentine Literature. Columbia: University of Missouri Press.Google Scholar
Márquez, Rosa Luisa1992Brincos y saltos. San Juan: Cuicaloca. Mèndes-Leite, RommelGoogle Scholar
Márquez, Rosa Luisa1993 “The Game of Appearances: The ‘Ambigusexuality’ in Brazilian Culture of Sexuality.” Journal of Homosexuality25:271–82.Google Scholar
Monsiváis, Carlos1982Escenas de pudor y liviandad. México: Grijalbo.Google Scholar
Morel Montes, Consuelo1996Identidad femenina en el teatro chileno. Santiago: Apuntes.Google Scholar
Muñoz, José Esteban1999Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: Minnesota University Press.Google Scholar
Murphy, Cullen1993 “Women and the Bible.” The Atlantic Monthly272 (2): 39–64.Google Scholar
Pagels, Elaine1979The Gnostic Gospels. New York: Random House.Google Scholar
Pagels, Elaine1988Adam, Eve, and the Serpent. New York: Random House.Google Scholar
Parker, Richard G.1999Beneath the Equator: Cultures of Desire, Male Homosexuality, and Emerging Gay Communities in Brazil. New York: Routledge.Google Scholar
Pratt, Mary Louise1999 “Overwriting Pinochet: Undoing the Culture of Fear in Chile.” In The Places of History: Regionalism Revisited in Latin America, edited by Sommer, Doris, 20–33. Durham: Duke University Press.Google Scholar
Prieto Stambaugh, Antonio2001a “Cuatro décadas de acción no-objetual en México,” Conjunto121:50–59Google Scholar
Prieto Stambaugh, Antonio2001b “¿El trans(des)vestismo como contra-presentación?” Ollantay Theater Magazine IX, 18:20–37. Special issue edited by María Teresa Marrero.Google Scholar
Puga, Ana Elena2004 “The Abstract Allegory of Griselda Gambaro's Stripped (El despojamiento).” Theatre Journal56 (3): 415–28.CrossRefGoogle Scholar
Raznovich, Diana, ed. 2002Defiant Acts/Actos desafiantes. Translated by Victoria Martínez in collaboration with Lidia Ramírez. Lewisburg: Buckness University Press.Google Scholar
Rizk, Beatriz J.1987El Nuevo Teatro Latinoamericano: Una lectura histórica. Minneapolis: Prisma Institute.Google Scholar
Rizk, Beatriz J.2001Posmodernismo y teatro en América Latina: Teorías y prácticas en el umbral del siglo XXI. Madrid: Iberoamericana.CrossRefGoogle Scholar
Rizk, Beatriz J.2002Teatro y diáspora. Testimonios escénicos latinoamericanos. Irvine, CA: Ediciones de Gestos.Google Scholar
Rizk, Beatriz J.2005 “La dramaturgia judeo-argentina: Cien años de manifiesta presencia en el país austral.” Theatralia7:123–36.Google Scholar
Schneider, Rebecca1997The Explicit Body in Performance. New York: Routledge.Google Scholar
Spivak, Gayatri Chakavorty1988 “Can the Subaltern Speak?” In Marxism and the Interpretation of Culture, edited by Nelson, Cary and Grossberg, Larry, 271–313. Urbana: University of Illinois Press.CrossRefGoogle Scholar
Suleiman, Susan1990Subversive Intent: Gender, Politics, and the Avant-Garde. Cambridge, MA: Harvard University Press.Google Scholar
Svich, Caridad, and Marrero, María Teresa, eds. 2000Out of the Fringe: Contemporary Latina/Latino Theatre and Performance. New York: Theatre Communications Group.Google Scholar
Taylor, Diana1997Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's Dirty War. Durham: Duke University Press.Google Scholar
Taylor, Diana1989 “Paradigma de crisis: la obra dramática de Griselda Gambaro.” In En busca de una imagen. Ensayos críticos sobre Griselda Gambaro y José Triana, edited by Taylor, Diana, 11–23. Ottawa: Girol Books.Google Scholar
Versényi, Adam2003The Theatre of Sabina Berman: The Agony and Ecstasy and Other Plays. Carbondale: Southern Illinois University Press.Google Scholar