Hostname: page-component-586b7cd67f-vdxz6 Total loading time: 0 Render date: 2024-11-30T23:59:02.008Z Has data issue: false hasContentIssue false
  • English
  • Français

The Patriarchy Problem: Sexism, Homophobia, and the Many Faces of Transgression to Normative Representations of Difference

Review products

TENTATIVE TRANSGRESSIONS: HOMOSEXUALITY, AIDS, AND THE THEATER IN BRAZIL. By AlbuquerqueSeverino J. (Madison: University of Wisconsin Press, 2003. Pp. xiii+255. $29.95 paper.)
TEATRO DE CABARET: IMAGINARIOS DISIDENTES. By AlzateGastón A. (Irving, CA: Ediciones de Gestos, 2002. Pp. 160. $17.50 paper.)
TEATRO CONTEMPORÁNEO JUDEOARGENTINO: UNA PERSPECTIVA FEMINISTA BÍBLICA. By HolteMatilde Raquel. (Buenos Aires: Ensayos, 2004. Pp. 212.)

Show more reviewed productsShow more reviewed products

Published online by Cambridge University Press:  05 September 2022

Beatriz J. Rizk
Beatriz J. Rizk*
Affiliation:
International Hispanic Theatre Festival of Miami
Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review Essays
Information
Latin American Research Review , Volume 42 , Issue 2 , June 2007 , pp. 238 - 252
Copyright
Copyright © 2007 by the University of Texas Press

References

Arrizón, Alicia and Manzor, Lilian, eds. 2000 Latinas on Stage. Berkeley: Third Woman Press.Google Scholar
Bach, Alice 1997 Women, Seduction, and Betrayal in Biblical Narrative. London: Cambridge University Press.Google Scholar
Berman, Sabina 2000 Feliz Nuevo Siglo Doktor Freud. Mexico: Tramoya.Google Scholar
Bixler, Jacqueline 2000 Sediciosas seducciones: Sexo, poder y palabras en el teatro de Sabina Berman. México: Escenología/Virginia Tech UniversityGoogle Scholar
Boudet, Rosa Eliana 1983 Teatro Nuevo: una respuesta. La Habana: Editorial Letras Cubanas.Google Scholar
Butler, Judith 1990 “Performative Acts and Gender Construction.” In Performing Feminisms: Feminist Critical Theory and Theatre, edited by Case, Sue-Ellen, 270–82. Baltimore: Johns Hopkins University Press.Google Scholar
Cohen, Ed 1991 “Writing Gone Wilde.” In Critical Essays on Oscar Wilde, edited by Gagnier, Regenia, 68–87. New York: G. K. Hall.Google Scholar
Cypress, Sandra Messinger 2005 “Griselda Gambaro.” in Dictionary of Literary Biography. Volume 305: Latin American Dramatists, edited by Versényi, Adam, 153–66. Detroit: Thomson/Gale.Google Scholar
Damasceno, Leslie 1994 “‘O Teatro Essencial’ de Denise Stoklos.” Tramoya 40/42 (1994): 177–85. Special issue on Brazilian theatre, edited by Beatriz J. Rizk.Google Scholar
Firmat, Gustavo Pérez 1994 Life on the Hyphen: The Cuban-American Way. Austin: University of Texas Press.Google Scholar
Fusco, Coco, ed. 2000 Corpus Delecti: Perfomance Art of the Americas. London/ New York: Routledge.Google Scholar
Glickman, Nora 1994 “Jewish Women Writers in Latin America.” In Women of the Word: Jewish Women and Jewish Writing, edited by Baskin, Judith R., 299–322. Detroit: Wayne State University Press.Google Scholar
Glickman, Nora, and Waldman, Gloria, eds. 1996 Argentine Jewish Theatre: A Critical Anthology. Lewisburg: Bucknell University PressGoogle Scholar
Hutchison, Elizabeth Quay 2003 “Add Gender and Stir?: Cooking up Gendered Histories of Modern Latin America.” Latin American Research Review 38 (1): 267–287.CrossRefGoogle Scholar
Issacharoff, Michael 1981 “Space and Reference in Drama.” Poetics Today 2 (3): 211–24.CrossRefGoogle Scholar
Junge, Benjamin 2004 “Heterossexuais em eventos públicos gays: a ‘Parada Livre’ em Porto Alegre, 2002.” In Construções da Sexualidade: Gênero, identidade e comportamento em tempos de AIDS, edited by Uriel, Anna Paul, Rios, Luis Felipe, and Parker, Richard Guy, 131–49. Rio de Janeiro: Editora Pallas.Google Scholar
Kaiser-Lenoir, Claudia 1977 El grotesco criollo: Estilo teatral de una época. La Habana: Casa de las Américas.Google Scholar
LaBelle, Jenijoy 1988 Herself Beheld: The Literature of the Looking Glass. Ithaca: Cornell University Press.Google Scholar
Lindstrom, Naomi 1989 Jewish Issues in Argentine Literature. Columbia: University of Missouri Press.Google Scholar
Márquez, Rosa Luisa 1992 Brincos y saltos. San Juan: Cuicaloca. Mèndes-Leite, RommelGoogle Scholar
Márquez, Rosa Luisa 1993 “The Game of Appearances: The ‘Ambigusexuality’ in Brazilian Culture of Sexuality.” Journal of Homosexuality 25:271–82.Google Scholar
Monsiváis, Carlos 1982 Escenas de pudor y liviandad. México: Grijalbo.Google Scholar
Morel Montes, Consuelo 1996 Identidad femenina en el teatro chileno. Santiago: Apuntes.Google Scholar
Muñoz, José Esteban 1999 Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: Minnesota University Press.Google Scholar
Murphy, Cullen 1993 “Women and the Bible.” The Atlantic Monthly 272 (2): 39–64.Google Scholar
Pagels, Elaine 1979 The Gnostic Gospels. New York: Random House.Google Scholar
Pagels, Elaine 1988 Adam, Eve, and the Serpent. New York: Random House.Google Scholar
Parker, Richard G. 1999 Beneath the Equator: Cultures of Desire, Male Homosexuality, and Emerging Gay Communities in Brazil. New York: Routledge.Google Scholar
Pratt, Mary Louise 1999 “Overwriting Pinochet: Undoing the Culture of Fear in Chile.” In The Places of History: Regionalism Revisited in Latin America, edited by Sommer, Doris, 20–33. Durham: Duke University Press.Google Scholar
Prieto Stambaugh, Antonio 2001a “Cuatro décadas de acción no-objetual en México,” Conjunto 121:50–59Google Scholar
Prieto Stambaugh, Antonio 2001b “¿El trans(des)vestismo como contra-presentación?” Ollantay Theater Magazine IX, 18:20–37. Special issue edited by María Teresa Marrero.Google Scholar
Puga, Ana Elena 2004 “The Abstract Allegory of Griselda Gambaro's Stripped (El despojamiento).” Theatre Journal 56 (3): 415–28.CrossRefGoogle Scholar
Raznovich, Diana, ed. 2002 Defiant Acts/Actos desafiantes. Translated by Victoria Martínez in collaboration with Lidia Ramírez. Lewisburg: Buckness University Press.Google Scholar
Rizk, Beatriz J. 1987 El Nuevo Teatro Latinoamericano: Una lectura histórica. Minneapolis: Prisma Institute.Google Scholar
Rizk, Beatriz J. 2001 Posmodernismo y teatro en América Latina: Teorías y prácticas en el umbral del siglo XXI. Madrid: Iberoamericana.CrossRefGoogle Scholar
Rizk, Beatriz J. 2002 Teatro y diáspora. Testimonios escénicos latinoamericanos. Irvine, CA: Ediciones de Gestos.Google Scholar
Rizk, Beatriz J. 2005 “La dramaturgia judeo-argentina: Cien años de manifiesta presencia en el país austral.” Theatralia 7:123–36.Google Scholar
Schneider, Rebecca 1997 The Explicit Body in Performance. New York: Routledge.Google Scholar
Spivak, Gayatri Chakavorty 1988 “Can the Subaltern Speak?” In Marxism and the Interpretation of Culture, edited by Nelson, Cary and Grossberg, Larry, 271–313. Urbana: University of Illinois Press.CrossRefGoogle Scholar
Suleiman, Susan 1990 Subversive Intent: Gender, Politics, and the Avant-Garde. Cambridge, MA: Harvard University Press.Google Scholar
Svich, Caridad, and Marrero, María Teresa, eds. 2000 Out of the Fringe: Contemporary Latina/Latino Theatre and Performance. New York: Theatre Communications Group.Google Scholar
Taylor, Diana 1997 Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's Dirty War. Durham: Duke University Press.Google Scholar
Taylor, Diana 1989 “Paradigma de crisis: la obra dramática de Griselda Gambaro.” In En busca de una imagen. Ensayos críticos sobre Griselda Gambaro y José Triana, edited by Taylor, Diana, 11–23. Ottawa: Girol Books.Google Scholar
Versényi, Adam 2003 The Theatre of Sabina Berman: The Agony and Ecstasy and Other Plays. Carbondale: Southern Illinois University Press.Google Scholar