Book Review
Music and the Southern Belle: From Accomplished Lady to Confederate Composer. By Candace Bailey. Carbondale: Southern Illinois University Press, 2010. - Music, Women, and Pianos in Antebellum Bethlehem, Pennsylvania: The Moravian Young Ladies’ Seminary. By Jewel A. Smith. Bethlehem, PA: Lehigh University Press, 2008.
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- 04 June 2014, pp. 253-256
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Showtime: A History of the Broadway Musical Theater. By Larry Stempel. New York and London: W.W. Norton and Company, 2010.
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- 12 March 2014, pp. 103-107
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The Music of James Bond. By Jon Burlingame. New York: Oxford University Press, 2012.
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- 30 September 2014, pp. 412-415
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The Arhoolie Foundation's Strachwitz Frontera Collection of Mexican and Mexican American Recordings. By Agustín Gurza, with Jonathan Clark and Chris Strachwitz. Los Angeles: UCLA Chicano Studies Research Center Press, 2012. - Hotel Mariachi: Urban Space and Cultural Heritage in Los Angeles. By Catherine L. Kurland and Enrique R. Lamadrid, photographs by Miguel A. Gandart. Albuquerque: University of New Mexico Press, 2012. - Songs in the Key of Los Angeles. By Josh Kun. Los Angeles: Angel City Press, 2013. - Music for a City, Music for the World: 100 Years with the San Francisco Symphony. By Larry Rothe. San Francisco: The San Francisco Symphony, 2012.
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- 05 December 2014, pp. 570-578
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Meeting Jimmie Rodgers: How America's Original Roots Music Hero Changed the Pop Sounds of a Century. By Barry Mazor. New York: Oxford University Press, 2009. - The Songs of Jimmie Rodgers: A Legacy in Country Music. By Jocelyn R. Neal. Bloomington: Indiana University Press, 2009.
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- 12 March 2014, pp. 107-111
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Frontier Figures: American Music and the Mythology of the American West. By Beth E. Levy. Berkeley: University of California Press, 2012.
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- 30 September 2014, pp. 416-420
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David Moritz Michael: Complete Wind Chamber Music. By David Moritz Michael. Edited by Nola Reed Knouse. Recent Researches in American Music, vol. A59; Music of the United States of America, vol. 16. Middleton, WI: A-R Editions, 2006.
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- 04 June 2014, pp. 256-258
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The American Stravinsky: The Style and Aesthetics of Copland's New American Music, the Early Works, 1921–1938. By Gayle Murchison. Ann Arbor: University of Michigan Press, 2012.
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- 05 December 2014, pp. 578-581
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Recording Reviews
Delights & Dances: Works for String Quartet and Orchestra Including West Side Story Concerto. Harlem Quartet and Chicago Sinfonietta, Mei-Ann Chen, conductor. Cedille Recordings CDR 90000 141, 2013, CD.
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- 30 September 2014, pp. 421-423
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Book Review
Bob Dylan. By Keith Negus. Icons of Pop Music. Bloomington: Indiana University Press, 2008. - The Cambridge Companion to Bob Dylan. Edited by Kevin J. H. Dettmar. Cambridge: Cambridge University Press, 2009.
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- 12 March 2014, pp. 112-116
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Louis Armstrong's Hot Five and Hot Seven Recordings. By Brian Harker. New York: Oxford University Press, 2011. - New Orleans Style and the Writing of American Jazz History. By Bruce Boyd Raeburn. Ann Arbor: University of Michigan Press, 2009. - Pioneers of Jazz: The Story of the Creole Band. By Lawrence Gushee. New York: Oxford University Press, 2005. - Subversive Sounds: Race and the Birth of Jazz in New Orleans. By Charles Hersch. Chicago: University of Chicago Press, 2007. - That's Got ’Em!: The Life and Music of Wilbur C. Sweatman. By Mark Berresford. Jackson: University Press of Mississippi, 2010.
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- 05 December 2014, pp. 581-587
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Battle Hymns: The Power and Popularity of Music in the Civil War. By Christian McWhirter. Chapel Hill: University of North Carolina Press, 2012. - A Johnny Reb Band from Salem: The Pride of Tarheelia. By Harry H. Hall. Raleigh: Office of Archives and History, North Carolina Department of Cultural Resources, 2006.
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- 04 June 2014, pp. 258-260
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Recording Reviews
John Philip Sousa: Marches. The Great American Main Street Band, Timothy Foley, director. EMI 50999 64112220, 2010, CD./On Stage. Razumovsky Symphony Orchestra, Keith Brion, conductor. Naxos 8.559008, 1998, CD./At the Symphony. Razumovsky Symphony Orchestra, Keith Brion, conductor. Naxos 8.559013, 1999, CD.
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- 30 September 2014, pp. 423-425
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Book Review
Imposing Harmony: Music and Society in Colonial Cuzco. By Geoffrey Baker. Durham, NC: Duke University Press, 2008. - Colonial Counterpoint: Music in Early Modern Manila. By D. R. M. Irving. New York: Oxford University Press, 2010.
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- 04 June 2014, pp. 261-265
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Lady in the Dark: Biography of a Musical. By bruce d. mcclung. Oxford: Oxford University Press, 2007. - Oklahoma!: The Making of an American Musical. By Tim Carter. New Haven, CT: Yale University Press, 2007. - South Pacific: Paradise Rewritten. By Jim Lovensheimer. Oxford: Oxford University Press, 2010. - Wicked: A Musical Biography. By Paul R. Laird. Lanham, MD: Scarecrow Press, 2011.
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- 05 December 2014, pp. 587-596
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Recording Reviews
George Perle, String Quartets 2, 5, & 8, and Molto Adagio. Daedalus Quartet. Bridge Records 9398, 2012.
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- 12 March 2014, pp. 117-118
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Gaudete Brass, Chicago Moves. Cedille Records CDR 90000 136, 2012.
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- 12 March 2014, pp. 118-120
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Elliott Schwartz, Tapestry: Chamber Music by Elliott Schwartz. Métier MSV28537, 2013, CD.
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- 30 September 2014, pp. 425-427
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The Music of Francis Johnson and His Contemporaries: Early 19th-Century Black Composers. The Chestnut Brass Company and Friends, Tamara Brooks, conductor. Music Masters 7029-2-C, 1990.
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- 04 June 2014, pp. 266-267
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Jazz: The Smithsonian Anthology. Smithsonian Folkways Recordings SFW 40820, 2010.
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- 05 December 2014, pp. 597-599
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