In the original online version of the article by SchreiberFootnote 1 in the May 2022 issue of Journal of the Society for American Music, the copyright credit for Examples 4 and 5 were omitted. The copyright credit has been added to the revised online version. The examples, with the credits are as follows:
![](https://static.cambridge.org/binary/version/id/urn:cambridge.org:id:binary:20220524075913649-0154:S1752196322000141:S1752196322000141_fig1.png?pub-status=live)
Example 4. John Adams, Scheherazade.2, first movement, solo violin's initial appearance suggestive of Scheherazade's persona, mm. 14–22. “Scheherazade.2” by John Adams © 2014 by Hendon Music, Inc. A Boosey & Hawkes Company. Copyright for All Countries. All Rights Reserved. Reprinted by Permission.
![](https://static.cambridge.org/binary/version/id/urn:cambridge.org:id:binary:20220524075913649-0154:S1752196322000141:S1752196322000141_fig2.png?pub-status=live)
Example 5. Adams, Scheherazade.2, fourth movement, Scheherazade's final monologue, mm. 252–63. “Scheherazade.2” by John Adams © 2014 by Hendon Music, Inc. A Boosey & Hawkes Company. Copyright for All Countries. All Rights Reserved. Reprinted by Permission.