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This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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Domenico Scarlatti: His Unique Contribution to Keyboard Literature
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- 01 January 2020, pp. 33-44
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Purcell's Fantazias and Sonatas
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- 01 January 2020, pp. 1-13
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The Hunt's Up
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- 01 January 1979, pp. 1-25
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Charles Villiers Stanford (1852–1924): An Address at His Centenary
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- 01 January 1952, pp. 19-31
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A Note on Stile Recitativo
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- 01 January 1983, pp. 41-44
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What is Modern Music?
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- 01 January 2020, pp. 21-37
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An Ethnomusicological Perspective on Musical Style, with Reference to Music for Chinese Two-Stringed Fiddles
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- 01 January 2020, pp. 276-299
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‘My father was a poor Parisian musician’: A Memoir (1756) concerning Rameau, Handel's Library and Sallé
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- 01 January 2020, pp. 161-199
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The Peak Period of Venetian Public Opera: The 1650s
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- 01 January 1975, pp. 67-82
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La compositione lacrimosa: Musical Style and Text Selection in North-Italian Lamentations Settings in the Second Half of the Sixteenth Century
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- 01 January 2020, pp. 167-202
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Robert S. Hatten, Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation. Bloomington and Indianapolis, Indiana University Press, 1994. xviii + 350 pp. ISBN 0 253 32742 3
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- 01 January 2020, pp. 116-124
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Music in 18th-Century Oxford
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- 01 January 1981, pp. 69-99
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Notes for Contributors
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- 01 January 2020, p. 149
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Verdi's Ideas on the Production of His Shakespeare Operas
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- 01 January 2020, pp. 11-21
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Modernist Fantasias: The Recuperation of a Concept
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- 01 January 2020, pp. 473-493
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Bridging Divides: Verdi's Requiem in Post-Unification Italy
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- 01 January 2020, pp. 313-342
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The Nomenclature of Wagner's Sketches
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- 01 January 1974, pp. 75-83
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On Certain Principles of Musical Exposition Considered Educationally and with Special Reference to Current Systems of Musical Theory
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- 01 January 2020, pp. 125-151
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Bowed Continuo Instruments in French Baroque Chamber Music
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- 01 January 1978, pp. 37-49
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Margot Fassler, Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris. Cambridge, Cambridge University Press, 1993. xxi + 487 pp. ISBN 0 521 38291 2.
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- 01 January 2020, pp. 146-151
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