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Published online by Cambridge University Press: 01 January 2020
1 Kenneth Macgowan, ‘Drama's New Domain – The High School’, Harpers (November 1929), 774–9 (p. 779), quoted in The Oxford Handbook of the American Musical, ed. Raymond Knapp, Mitchell Morris and Stacy Wolf (New York, 2011), 394.
2 D. A. Miller, Place for Us: Essay on the Broadway Musical (Cambridge, MA, 1998); John Clum, Something for the Boys: Musical Theater and Gay Culture (New York, 2001); Stacy Wolf, A Problem Like Maria: Gender and Sexuality in the American Musical (Ann Arbor, MI, 2002); Andrea Most, Making Americans: Jews in the Broadway Musical (Cambridge, MA, 2004); Bruce Kirle, Unfinished Show Business: Broadway Musicals as Works-in-Progress (Carbondale, IL, 2005); Raymond Knapp, The American Musical and the Formation of National Identity (Princeton, NJ, 2005); idem, The American Musical and the Performance of Personal Identity (Princeton, NJ, 2006); John Bush Jones, Our Musicals, Ourselves: A Social History of the American Musical Theatre (Hanover, NH, and London, 2003); Ian Bradley, You've Got to Have a Dream: The Message of the Musical (London, 2004).
3 Tim Carter, Oklahoma!: The Making of an American Musical (New Haven, CT, and London, 2007); bruce d. mcclung, Lady in the Dark: Biography of a Musical (New York and Oxford, 2007); Nigel Simeone, Leonard Bernstein: West Side Story (Farnham, 2009); Jim Lovensheimer, South Pacific: Paradise Rewritten (New York and Oxford, 2010); Dominic McHugh, Loverly: The Life and Times of My Fair Lady (New York, 2012); Todd Decker, Show Boat: Performing Race in an American Musical (New York, 2013).
