American Indian people fit poorly into the sweeping stories most commonly told about American history. Puritan-inspired stories of national origins and Turnerian frontier narratives cast Indians as outsiders whose role was to be dispossessed and then disappear. More recent counter-narratives of conquest and of redemptive struggles for citizenship allow Native actors important and autonomous roles, but are also premised on a teleology of assimilation and civil rights that flattens the complexity of Indian uses of U.S. citizenship rights. The history of the Society of American Indians, founded in 1911, shows how the paradox of Indian citizenship is central to stories about the broader sweep of U.S. historical practice.

In 1891, a moral reformer named Alzire Chevaillier launched an aggressive crusade to destroy Fountaingrove, a spiritualist utopian colony in Northern California with white and Japanese members. Chevaillier accused the colony's leader, Thomas Lake Harris, of promoting “disorderly doctrines” with sexual practices “worse than those of Mormonism.” This essay uses the little-known Fountaingrove scandal to examine the interrelationship of religion, race, and sexuality in California. As a mixed-race new religious movement accused of sexual immorality, Fountaingrove transgressed prevailing norms in multiple ways. The colony became Orientalized in the public imagination, showing how new religions and non-normative sexual practices were coded as racially other. Yet media representations of Fountaingrove reflected more than straightforward “yellow peril.” The Japanese members of Fountaingrove inhabited several unstable categories at once, viewed as neither “heathen” nor Christian, neither adults nor children, neither white nor Chinese, shedding light on the uncertain religio-racial status of early Japanese immigrants to the United States. The scandal also reveals the racist dimensions of white female reformers' attacks on male dominance. The wide range of public response to Chevaillier's campaign, from moral disgust to amusement to apathy, gives evidence of the cultural fissures beginning to break open in fin de siècle America.

Published in 1963 and with a second edition in 2013, Walter Nugent's The Tolerant Populists challenged and overturned an interpretation of the American Populist movement, largely associated with Richard Hofstadter's The Age of Reform, which portrayed the People's Party as backward looking, reactionary, irrational, antisemitic, and nativist. The Tolerant Populists demonstrated the Populist movement to be forward looking in its advocacy of statist economic reforms later adopted by progressives. In addition to this particular intervention in the literature, The Tolerant Populists, as it marked a turn in the 1960s to writing history from the bottom up, also more generally shaped the historiography of Populism by emphasizing the local social, cultural, and political roots of the movement; the movement's appeal to marginalized Americans in the 1890s; and the reasonableness of its policy measures to ease economic suffering. Moreover, the new edition critiques the continued use in popular media of lower-case “populism” to describe modern anti-statist movements that bear no resemblance to the movement of the 1890s. Finally, Walter Nugent forwarded the historiographical emphases in The Tolerant Populists to influence, in his later scholarship, the wider history of monetary policy, American demographic and social history, immigration, the American West, and American empire building.

This article assesses the impact that Aileen Kraditor's classic monograph, The Ideas of the Woman Suffrage Movement (1965) has had on fifty years of suffrage historiography. Kraditor is best known among scholars for offering the terms “justice” and “expediency” to distinguish between two strains of suffragist argumentation, the former of which she associated with the nineteenth century and the latter with the Progressive Era. Although specialists no longer believe in a firm divide between the two periods, many continue to differentiate between principled (egalitarian) arguments that called for suffrage as a universal right of citizenship and instrumental (expedient) claims that often contained racist assumptions about white women's superiority. The majority of scholars now accept Kraditor's fundamental insight that a political movement devoted to the extension of democracy contained within it antidemocratic and racist elements, but they have challenged other key aspects of Kraditor's work, including her characterization of white southern women's advocacy of suffrage and her Turnerian assumptions about why statewide suffrage referenda succeeded first (and primarily) in the West. In addition, scholars have expanded the terrain of women's political activism to include analyses of black women's suffrage activities and understandings of citizenship; in so doing they have connected the regional histories of the South and the Midwest, displacing Kraditor's national narrative. Collectively the field has moved far beyond Kraditor's focus on the National American Woman Suffrage Association to emphasize the enormous range of suffrage activities that took place before the Nineteenth Amendment was ratified, demonstrating how woman suffrage encompassed new understandings of citizenship that were inseparable from the histories of Reconstruction, U.S. expansion, and western imperialism.

By most measures, Daniel Augustus Tompkins was a highly unlikely opponent of totalized Chinese exclusion. The owner of three cotton mills and a New South booster editor, Tompkins presided over a racially segregated labor force and had much to say about the necessity of white supremacy for the progress of the South, the nation, and the world. So why, on March 14, 1906, did he testify before the U.S. House of Representatives' Committee on Foreign Affairs, expressing his opposition to immigration officials' overzealous enforcement of legal barriers against Chinese immigration? Existing approaches to the racial politics of migration to the United States, which have emphasized the interchangeability of anti-black and anti-Chinese racisms in the nineteenth century, make it difficult to account for Tompkins' actions: they would lead us to expect that he would defend both complete Chinese exclusion and black subordination on similar racial grounds. This essay presents a new framework for conceptualizing migration, empire, and the politics of social differentiation that, among other things, will make sense of this seemingly unlikely intervention by a New South industrialist and racial ideologue in U.S. immigration politics. This framework brings together two traditionally separated fields of inquiry: migration history and imperial history. By revisiting Chinese exclusion (and its seemingly odd critics) through an imperial lens, it hopes to demonstrate the value—indeed, the necessity—of connecting these two approaches in the larger effort to entangle U.S. and global histories.

George Herbert Mead's advocacy of innovative social reform was not a distinct endeavor unrelated to his pragmatist social philosophy. In fact, the convergence of social philosophy and social reform is discernable in Mead's analysis of social settlements: an analysis that led him to conclude that settlements were indispensable social organizations for promoting cooperative living and civic progress within America's emerging industrial municipalities. For Mead, the settlement was the only social organization capable of understanding the immigrant's world and explaining that world to the nonimmigrant. In 1908, Mead wrote a letter to the Chicago Record Herald endorsing the work of social settlements. He composed the letter during an era when the violent actions of some political extremists (i.e., anarchists) seemed to encourage many native-born citizens to regard all immigrants as nascent terrorists and to treat organizations created to assist immigrants, such as settlements, with distrust and hostility.

Most unfortunately, the Chicago Record Herald refused to publish Mead's letter. This article describes the historical circumstances that prompted Mead to write a letter in defense of settlements; it then reprints the original letter in its entirety, with annotations; and, it concludes by briefly noting the letter's significance in relation to Mead's other writings about social settlements.

What follows is a written reproduction of a forum held at the annual meeting of the Organization of American Historians in San Francisco in April 2013. The forum commemorated the twenty-fifth anniversary of the publication of Eric Foner's Reconstruction: America's Unfinished Revolution, 1863–1877. Kate Masur (Northwestern University) organized and introduced the discussion, and the commentators in order of speaking were the following:

• • Heather Andrea Williams, The University of Pennsylvania

• • Gregory P. Downs, City College of New York and the Graduate Center of the City University of New York

• • Thavolia Glymph, Duke University

• • Steven Hahn, The University of Pennsylvania

• • Eric Foner, Columbia University

Double-voiced singing was a popular form of variety show entertainment from the 1860s through to the 1920s. Double-voiced performers were able, through intonation and tone, to sound as though they had at least two separate and distinct “voices,” generally one soprano and one baritone. But as Claire Rochester, a double-voiced singer of the early twentieth century made clear, their act was more than just a matter of a woman singing low notes or a man singing high ones; it was all about a performer adopting the “voice” of the other sex. The unusual practice of these singers was to sing duets (and sometimes as much as quartets) to themselves and by themselves, flipping back and forth between their male to female “voices.” I place this strange form of entertainment in the context of changing attitudes to gender and sexuality and suggests that conventional interpretations of “freak” performances as “transgressive” fail to account for these vocal wonders. Double-voiced singers shunned the “transgressive” billing, especially when their own sexual identity was called into question. In making this argument, I suggest that we need to widen our understanding of “freakery,” imposture and the meaning of “nature” and “truth,” as they were revealed both on stage and off.

Alexander Graham Bell stood at the intersection of two late nineteenth-century American social developments. First, a nascent deaf community, threaded by residential schools and the use of a shared visual language, began to form by the 1850s, drawing deaf people into regular interaction and intermarriage. Second, the American eugenics movement, determined to eliminate perceived social problems through reproductive restrictions, came to prominence as the century neared its end. Bell's role in publicly connecting these two historical threads has earned him the approbation of the American deaf community and historians of disability.

This article examines Bell's words and actions closely over thirty years to argue that a combination of Bell's own hubris and historians' tendency to conflate two aspects of his complex attitude toward disability has distorted historical memory. Bell feared that difference alone led to inequality, and he hoped that society could be improved through informed reproductive decisions. Ultimately, Bell found himself entangled in an alarming eugenic environment and sought to thwart eugenicists who would interfere with deaf reproductive rights.

Standard accounts of American Catholic history generally note in passing that American Catholics supported the Spanish-American War but do not examine what reasons provoked them to do so. At the same time, recent literature on the war itself has described various factors that motivated American support, but few of these studies have noted the central role that religion played in Americans' interpretations of the conflict. This article brings these two historiographies together by showing the importance of the war for the Catholic Church in America as well as the significance of religious belief for how many Americans understood the conflict. In particular, providentialist interpretations of the war held by a large number of Catholics reveal a crucial moment in the church's process of Americanization. Yet more importantly, this article focuses on the significant number of Catholics who steadfastly opposed the war, demonstrating the contested nature of the Americanization process. Ultimately, this article maintains that skepticism concerning the righteousness of the American nation motivated antiwar Catholics' resistance to prevalent American attitudes. By integrating American Catholics into our understanding of the Spanish-American War, this article sheds new light on the development of fin de siècle American Catholicism and on the war itself.