Any period of history which later ages deem to have been significant is apt to gather to itself a mythology. To the medieval Church the first three Christian centuries appeared as a period of continuous slaughter, in which legions of martyrs preferred to perish rather than deny their faith in Christ. With such an assumption it was inevitable that the extinction of paganism during the years which followed the conversion of Constantine should be seen as a pious work undertaken in conformity with God's will – gesta Dei per Christianos – and when Julian the Apostate attempted to turn back the tide, he was duly slain by two warrior saints sent for the purpose from heaven – a legend which had sufficient vitality eventually to find its way into the Ethiopic Miracles of the Virgin Mary, with Julian transformed into a gigantic artisan named Gôlyâd, who threatens to destroy a monastery and is slain by a martyred knight raised by Our Lady to that end. On the pagan side we have the well-known story of how Serena, wife of Stilicho and favourite niece of Theodosius the Great, took a necklace from the image of the Great Mother for her own adornment and mocked and humiliated an aged vestal virgin who denounced her. At a later date, when Alaric the Goth threatened Rome, Serena was suspected of treachery and strangled. To the pagan historian Zosimus her fate was the reward of her impiety, and it seemed fitting that the neck which had usurped the goddess's ornament would at the last be encircled by the executioner's rope. The factual truth of these stories is not, for our purposes, important. What matters is the witness that they provide to the mythological – or, if you prefer it, the theological – interpretations which were early given to the victory of Christianity.