Peasants in general, and rural rebels in particular, were mercilessly ridiculed in the satirical cartoons that proliferated in European cities from the mid-nineteenth century. There was more to these images than the age-old hostility of the townspeople for the peasant, and this article comparatively explores how cartoons of southern Italian brigands and rural Irish agitators helped shape a liberal version of what was modern by identifying what was not: the revolting peasant who engaged in “unmanly” violence, lacked self-reliance, and was in thrall to Catholic clergymen. During periods of unrest, distinctions between brigands, rebels, and the rural populations as a whole were not always clear in cartoons. Comparison suggests that derogatory images of peasants from southern Italy and Ireland held local peculiarities, but they also drew from transnational stereotypes of rural poverty that circulated widely due to the rapidly expanding European publishing industry. While scholarly debates inspired by postcolonial perspectives have previously emphasized processes of othering between the West and East, between the metropole and colony, it is argued here that there is also an internal European context to these relationships based on ingrained class and gendered prejudices, and perceptions of what constituted the centre and the periphery.

In 1980, thousands of metalworkers from the region of greater São Paulo known as the “ABC” region carried out one of the most intense and lasting strikes in the history of the Brazilian working class. For forty-one days, striking workers resisted the repression that bosses and the nation's military regime mounted against them, which contributed to the collective worker mobilization that spread throughout the spaces of the city – especially the streets of the São Bernardo do Campo neighborhood. Expelled from factories and major public spaces, workers were able to maintain the strike mainly in the neighborhoods where they lived, thus politicizing the spaces and relationships of their daily lives and redefining the geography of collective mobilization. This article analyzes aspects of this process, highlighting the importance of workers’ social networks to the notable (re)appropriation of urban space that characterized the strike movement.

In scholarly writings, the term “agrarian labour” is used variously. It can refer to a very specific set of productive activities – the cultivation of crops and animal husbandry – but it can also have the much broader connotation of rural or non-urban labour. These different uses can be confusing, especially in comparative research. This paper starts from the French comparative agriculture school and its conceptualization of three nested scales of analysis – the “cropping system”, the “activity system”, and the “agrarian system”. It tests these ideas in a comparison of labour employed in the production of indigo dye in two colonial systems (British India and the Dutch East Indies). The article concludes that this approach helps counteract monocausal explanations of labour relations in terms of agro-environmental determinants, the force of colonial capitalism, or local work cultures. It also promotes agriculture-sensitive readings of social transformations by comparing social orders that comprise both agricultural and non-agricultural labour relations.