This article examines the representation of the Cold War in Turkish children's magazines in the 1950s, contributing to the current literature on children in the Middle East and the cultural Cold War. My main argument is that Turkish children's magazines played an important role in educating and indoctrinating children to support Turkey's pro-Western stance during the early part of the Cold War in two ways. The first was the production of new local content in the form of articles, stories, and comics that introduced terms and institutions relevant to the Turkish experience of the Cold War as part of the Western camp. Additionally, stories and comics reflected anxieties typical of the Cold War, such as fear of espionage and fifth columns. Second, American comics, translated into Turkish, or in some cases repurposed existing comics, instilled in Turkish children American concepts such as capitalism and consumerism.

A third wave of autocratization is manifest today.1 Universities are no exception to the institutions that are affected by democratic backsliding in a given country: according to the Varieties of Democracy (V-Dem) project, academic freedom has declined by 13 percent in autocratizing countries in the 2010–20 period, whereas almost no change has been recorded in other countries.2

One summer afternoon in Tbilisi, my friends Elizbari and Malkhazi, both native Tbilisians, and I bought some beer from a local store near Malkhazi's home in the hillside residential Tbilisi neighborhood of K'rts’anisi. For various reasons I can no longer recall, it would not do for us to drink in his home, so we randomly chose a deserted spot nearby: a patch of gravel next to a decrepit building with a large fallen tree, which afforded us a place to sit. Malkhazi surveyed our abject drinking spot, raised his beer in a heroic pose, and proclaimed: “Ortach'alis baghshi mnakhe, vina var!” (In the gardens of Ortachala see me, who I am!).1 We laughed at the absurd poetic reference. It was a famous line from a Persian-style Georgian poem by the noble romantic poet Grigol Orbeliani. It was a mukhambazi, a genre of poetry emblematic of “Old Tbilisi” city poetry associated with a nostalgic Georgian mythology of the nineteenth-century colonial city, centering on the island gardens of Ortachala, the site of drunken feasting of typical Tbilisian street peddlers called kintos (Georgian k'int’o). The stanza goes as such:

In the gardens of Ortachala see me, who I am,
In a happy-go-lucky feast see me, who I am!
A toastmaster with a drinking bowl, see me, who I am!
Well in a fistfight see me, who I am!
Then you will fall in love with me, say, “You are precious!”

Over the past decade, there have been increasing numbers of displaced scholars from the Middle East and Africa who have come under sustained pressures and threats from their governments; only a few of them have been able to relocate to European and North American academia through scholarships and grants.1 Even these temporary solutions for displaced scholars rarely result in sustainable institutional solidarity in the form of permanent teaching or professorial positions. The lack of institutional support, coupled with discriminatory and racialized immigration policies, pushes these few fortunate scholars to either accept exploitative conditions perpetuated by the neoliberal economy or leave academia altogether to support their families. These challenges, along with draconian economic sanctions and restrictions imposed by the US Treasury Department Office of Foreign Assets Control (OFAC) on citizens of countries such as Syria, Sudan, Iran, and Cuba are only a snapshot of what displaced scholars endure on a daily basis while trying to do research, care for their families, and compete with scholars with privileged citizenship status for shrinking opportunities in the academic job market.

This article provides an ethnographic account of automated surveillance technologies' impact in the occupied West Bank, taking Blue Wolf—a biometric identification system deployed by the Israeli army—as a case study. Interviews with Palestinian residents of Hebron subjected to intensive surveillance, a senior Israeli general turned biometric start-up founder, and testimonies from veterans tasked with building up Blue Wolf's database provide a rare view into the uneven texture of life under algorithmic surveillance. Their narratives reveal how automated surveillance systems function as a form of state-sponsored terror. As a globalized information economy intersects with the eliminatory aims of Israeli settler colonialism in Hebron, new surveillance technologies erode Palestinian social life while allowing technocratic settlers to recast the violence of occupation as an opportunity for capital investment and growth. Attending to the texture of life under algorithmic surveillance in Hebron ultimately reorients theories of accumulation and dispossession in the digital age away from purely economistic framings. Instead, I foreground the violent political imperatives that drive innovations in surveillance, in Palestine and worldwide.

As I sit down to write the introduction to this IJMES roundtable on threats to academic freedom in the Middle East and the multiple consequences of these threats for scholars from and of the region, I also am reading news about proliferating restrictions in the United States. In Florida, professors are changing their courses due to prohibitions on teaching about race issued by the state's governor and legislature, and under threat of losing their jobs and livelihood if they run afoul of these restrictions. In Minnesota an adjunct art history professor was denied future teaching opportunities and called Islamophobic by her employer for exposing her students to the range of Muslim perspectives on creating images of the Prophet Muhammad. At Harvard the former head of Human Rights Watch was initially denied a fellowship, seemingly due to the organization's reporting on Israeli human rights violations. And these instances are just a small sample of the anti–academic freedom news. They serve as a reminder that threats to academic freedom are global.

“Your political hegemony ended; your cultural hegemony, too, will end.”1

The dinner I was invited to was held after the monthly meeting of the Kayseri Chamber of Industry on a pleasant summer night in 2015. The spacious dining hall on the top floor of the chamber headquarters was filled by over a hundred industrialists from large and small companies. Kayseri's nationally celebrated cuisine was lavishly represented on our table. I was in a good mood because I had been looking forward to this opportunity for the previous two years. This meeting, and especially the part closed to the press, would hopefully give me many insights into the relations among the members of the chamber.

This article explores early attempts to romanize the Arabic language in late nineteenth and early twentieth-century Egypt and situates them within a global history of script reforms in the modern period. I focus on the models to write Arabic in the Latin script developed by the Cairo-based magazine al-Muqtataf between 1889 and 1897 (which, to the extent of my knowledge, have never been examined before), relating them to the responses they elicited from the magazine's readers and some of the romanization practices found in advertising, commercial displays in the streets, and governance at the time. I demonstrate that, in this period, romanized Arabic was envisioned as an original way to pursue financial profit and technological efficiency, confront European knowledge production, and redefine the standing of Arabic within transregional publishing networks that encompassed different languages and alphabets. This analysis thus offers an alternative geography of script reform that supersedes the national framework.

Academic diversity has been an important consideration in hiring processes within academia since the late 2010s. The term diversity encompasses race, ethnicity, gender, religion, sexual orientation, geographical representation, and political beliefs. There are three significant considerations during the hiring process. To put it simply: “equity is the promotion of fairness and justice for each individual that considers historical, social, systemic, and structural issues that impact experience and individual needs; diversity is a measure of representation within a community or population that includes identity, background, lived experience, culture, and many more; and inclusion is the creation of an environment where everyone shares a sense of belonging, is treated with respect, and is able to fully participate.”1

Despite the growth in scholarship on diverse religious communities in Turkey, little attention has been paid to Twelver Shiʿi Muslims. Since the founding of the Republic, the Turkish state's foundational secularist agenda has attempted to control and promote a single hegemonic form of Islam, and Shiʿa have faced continuous issues practicing their faith in public as a result. While the liberalization of the past three decades has allowed Shiʿism to enter the public sphere, the community has had to continue navigating limitations on their expression of religious difference. Based on fieldwork in Eastern Anatolia, this article deepens understandings of Islam in Turkey by showing how Shiʿa have negotiated their position vis-à-vis both secularist and Sunni-majority actors and policies across various religious and political currents. Rejecting categorization as either mezhep (sect) or minority, Shiʿa have demanded independence from state religious control while also asserting their allegiance to the Republic and nation as Turkish Muslims.

It was a routine winter night. Men sat gathered at the Café Fuentes, one of the fabled coffee houses in the medina of Tangier. A chilly gust blew up from the port, dispersing the aroma of tea and cannabis in the air. During the colonial days Hotel Fuentes, owned by the famed Spanish painter Antonio Fuentes, was a favored brasserie for high society. As European and American expats departed, Café Fuentes became a gathering spot for local elders, fishermen working in the port, random hawkers, and jobless youth. By the early 2000s, it was drawing West African migrants who had settled in the medina, hoping to try their luck and cross the Straits of Gibraltar to Spain.

Like great port cities throughout history, Jaffa has always welcomed strangers; enough of them to earn its sobriquet “mother of strangers” (umm al-gharīb). The gateway to Palestine and the Levant since ancient times, Jaffa is not only the site of multiple events of biblical or broader religious significance. With the incorporation of Palestine in the late 18th century into the still developing modern world system, Jaffa became a city of culture and commerce, with winding casbahs and tree-lined boulevards, Turkish baths and Jewish bordellos, sand dunes and orange orchards—lots of them, as we'll see—and some of the most striking architecture, never mind coastline, of the Eastern Mediterranean. North African Jews, Haurani Bedouins, Afghan traders, rabbis from Beirut, troubadours from Jerusalem, divas from Mansoura, and more than a few European Christian and Jewish pilgrims, all made their way to and through Jaffa over the centuries, joining a local population that septupled to over 17,000 during the course of the 19th century. They were joined by tens of thousands of Jews for whom Jaffa was a port of entry to Palestine with the onset of Zionist colonization. Jaffa, in other words, is the perfect locale for a novel, especially when, as with award-winning architect and writer Suad Amiry's first novel, Mother of Strangers, most of it happens to be rooted in truth.

The history of modern Iraq has been marked by violence, oppression, and foreign interventions to a degree that stands out even among other war-torn countries. On the occasion of the 20th anniversary of the US-led invasion of Iraq, many retrospectives were still dominated by a US-centric navel gazing of the chattering classes inside the beltway, but more Iraqi voices and alternative viewpoints were present in op-eds and articles than a decade earlier. In this spirit this roundtable section reflects on recent Iraqi history and contemporary developments with an eye toward memory politics in the context of transforming governance mechanisms and evolving civil society actors. It builds on a conference held at the German Institute for Global and Area Studies (GIGA) in Hamburg in March 2023 and portrays emerging avenues for research as well as new perspectives on long running debates.

Since the fall of Saddam Hussein's regime in 2003, Iraqi society has experienced profound crises in its transition from a strong centralized state under secular Baʿth Party authoritarianism to a new weak but still authoritarian federal state that is dominated by Shiʿi Islamist parties and plagued by factionalism, open sectarian competition, and conflict. A comprehensive scrutiny of the country's recent historical ruptures and continuities that pertain to the relations between the state and religion in particular is still a desideratum in contemporary Iraq studies. The extent to which thirty-five years of Baʿthi dictatorship transformed and lastingly shaped Iraq's diverse religious landscape is still not yet fully understood. Following the US-led invasion, the former regime was well-remembered for its repression and atrocities against almost all segments of society, but its image and the long-held notion and memory of it as “atheist” and “antireligious” are increasingly being challenged. Moreover, sectarian conflicts and violence since 2005 reveal an ongoing conflict over the interpretive sovereignty and ownership of famous religious sites of memory, such as shrines and mosques, between the various factions in Iraq. Beginning with the Iran–Iraq War in 1980, the Baʿth regime lavishly sponsored Sunni and Shiʿi shrines and advertised them in its religious war propaganda all over the country as sites of memory for the Iraqi and Arab nation. Many of these religious sites were surrounded by a certain confessional ambiguity and constitute memorials and meeting places for Sunnis and Shiʿis equally. After the fall of the regime, this ambiguity sparked sectarian competition over these sites since both communities often associated with one and the same shrine quite different memories of the same saintly figure, or they disagreed about who was buried there. Radical jihadist Salafis, in turn, generally rejected them as un-Islamic and even associated them with the old regime from 2014 onward.

In his 2019 critical study, Husayn Sarmak Hassan complained that not enough attention has been given to the production of Iraqi prison writing even after the toppling of Saddam Hussein's regime and its censorship apparatus. He notes, for example, that during the 2017 Cairo book fair, he found thirty (presumably new) prison novels, none of which were written by Iraqis. The relative scarcity of prison novels from Iraq is most certainly not due to lack of content; since the collapse of the old regime, there has been a proliferation of personal accounts, both oral and written, detailing the horrors of Saddam's Ba'th and the extent of the human toll of its wars and oppression. The ensuing documentation projects that emerged out of this mass catharsis aimed to amplify voices that had hitherto been marginalized and silenced, including the experiences of political prisoners. Hassan's study on prison writing, published by the Iraqi Ministry of Culture, can be seen in this light: as part of a national effort to process the literary and psychological aspects of the Ba‘th's legacy. However, the author's interest in prison writing also stems from his professional background as a medical doctor and psychiatrist directly involved in the study and treatment of PTSD in military veterans of the Iran–Iraq War. His personal interest in the experiences of Iraqi political prisoners is also made clear by certain paratextual elements in his study; in the acknowledgements, for example, Hassan dedicates his text to a friend who spent twenty years in incarceration as a political prisoner, and to his brother, who he found unrecognizable due to starvation and torture on a visit to a Najaf prison in 1994.

Since the 1979 revolution, Iranian Jews have faced two powerful and inherently contradictory calls to compromise their voice and identity. From one side, Israel has consistently held the opinion that as an at-risk community they should be evacuated and resettled. On the other, Iran's revolutionary regime has made “Islamic” a centerpiece of Iranian identity, placing Jewish identity directly at odds with what it means to be an Iranian. For decades, foreign opposition groups have spread baseless and unsubstantiated claims suggesting that Iranian Jews are to be placed in concentration camps or forced to wear yellow stars. At the same time, Iran's top politicians repeatedly peddle anti-Semitic innuendo and promote Holocaust denial conspiracies. Yet such narratives miss the central fact rarely acknowledged in Israel or Western academic and public spheres: Iranian Jews have continued to maintain ownership of their story and narrative as both Iranian and Jewish. This article seeks to analyze the navigation of Iranian Jews between their struggle as a religious minority in the Islamic Republic and maintenance of their autonomous voice as represented outside Iran.

On August 31, 2020, a US military plane returned the archive of the Baʿth Party Regional Command, more commonly known as the Baʿth Party Archive, to Iraq from California, where it had been held by Stanford University's Hoover Institution Library and Archives since 2008. A leftover issue from the 2003 Iraq War, it had been static as a policy matter for years, but appeared on the agenda of the US–Iraq Strategic Dialogue in summer 2020. Mustafa al-Kadhimi's emergence as the compromise choice for prime minister by Iraq's competing factions that May facilitated this development. Kadhimi, a journalist and human rights activist by background, was one of the cofounders with Kanan Makiya of the Iraq Memory Foundation (IMF), a nongovernmental organization that followed in the wake of the US-led invasion in 2003 as a US Department of Defense contractor. The origins of this relationship dated to the aftermath of the 1990–91 Gulf War. Shortly after arriving in Iraq in 2003, and responding to the rumor that looters were headed toward the mausoleum and museum of Baʿth Party founder Michel ʿAflaq, Kadhimi and Makiya by chance discovered the Baʿth Party Archive underneath the structure, which was adjacent to the Baʿth Party's headquarters in Baghdad.

Modern nation–states typically strive to define the cultural memory of a society by promoting certain historical narratives through mass media, museums, monuments, education, national holidays, and the like. Although huge differences exist between states in the realm of cultural policies, they usually entail the marginalization of certain groups or collective memories and often mark their exclusion from the imagined national collective. But even if publicly suppressed or silenced, the collective memory of marginal groups continues to thrive in the private sphere or in protected social niches. The dichotomy between public and private memory is not rigid, as state hegemony in the sphere of cultural memory fluctuates and is rarely complete.