In The Theological Project of Modernism, Kevin Hector of theUniversity of Chicago Divinity School offers a nuanced and timely defense ofwhat he sees as an unjustifiably maligned tradition in modern Christiantheology. He focuses on what is commonly labeled the liberal or revisionisttradition, centered in its early stages on figures such as Immanuel Kant,Friedrich Schleiermacher, G. W. F. Hegel, Albrecht Ritschl, Ernst Troeltsch,and, more recently, Paul Tillich. By carefully reconstructing key arguments fromthese thinkers, Hector shows not only how this trajectory hangs together as atradition, but also how its animating impulse differs from what many criticshave assumed. Hector's central claim is that this tradition isfundamentally concerned with a distinctive problem, namely, how to relatereligious faith to a sense of one's life as one's own—or,put differently, how one's faith can be self-expressive. Hector labelsthis the problem of “mineness,” or the problem of “howpersons could identify with their lives or experience them as‘mine,’ especially given their vulnerability to tragedy,injustice, luck, guilt, and other ‘oppositions’” (viii).Hector argues that for his chosen thinkers in this tradition, faith—morespecifically, faith in a God who is able to reconcile suchoppositions—plays a crucial role in resolving this problem.