Notes on Contributors
CONTRIBUTORS
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- 21 March 2018, pp. 1-3
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Editorial
EDITORIAL
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- 21 March 2018, pp. 5-8
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Articles
HOFFMANN'S MUSICAL MODERNITY AND THE PURSUIT OF SENTIMENTAL UNITY
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- 21 March 2018, pp. 9-28
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LOVE CONQUERS ALL: CUPID, PHILIP V AND THE ALLEGORICAL ZARZUELA DURING THE WAR OF THE SPANISH SUCCESSION (1701–1714)
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- 21 March 2018, pp. 29-45
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Essays
‘OF THE TEMPERAMENT OF THOSE MUSICAL INSTRUMENTS’: CONSIDERING TIBERIUS CAVALLO AND THE SCIENTIFIC OBSERVATION OF MUSICAL SOUNDS IN LATE EIGHTEENTH-CENTURY LONDON
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- 21 March 2018, pp. 47-51
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Reviews: Books
SYLVIE BOUISSOU , GRAHAM SADLER AND SOLVEIG SERRE , EDS RAMEAU, ENTRE ART ET SCIENCE Paris: École nationale des chartes, 2016 pp. 554, isbn 978 2 357 23082 8
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- 21 March 2018, pp. 53-54
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THOMAS HOCHRADNER THEMATISCHES VERZEICHNIS DER WERKE VON JOHANN JOSEPH FUX Volume 1 Vienna: Hollitzer, 2016 pp. lxxvii + 465, isbn 978 3 99012 159 7
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- 21 March 2018, pp. 55-58
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MARK HOWARD DECODING RAMEAU: MUSIC AS THE SOVEREIGN SCIENCE. A TRANSLATION WITH COMMENTARY OF CODE DE MUSIQUE PRATIQUE AND NOUVELLES RÉFLEXIONS SUR LE PRINCIPE SONORE (1760) Lucca: LIM, 2015 pp. xxv + 653, isbn 978 8 870 96846 0
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- 21 March 2018, pp. 58-63
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JOYCE L. IRWIN , ED. AND TRANS. FORETASTES OF HEAVEN IN LUTHERAN CHURCH MUSIC TRADITION: JOHANN MATTHESON AND CHRISTOPH RAUPACH ON MUSIC IN TIME AND ETERNITY London: Rowman and Littlefield, 2015 pp. xlix + 162, isbn 978 1 442 23263 1
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- 21 March 2018, pp. 63-65
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RICHARD KRAMER CHERUBINO'S LEAP: IN SEARCH OF THE ENLIGHTENMENT MOMENT Chicago: University of Chicago Press, 2016 pp. xvi + 224, isbn 978 0 226 37789 6
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- 21 March 2018, pp. 66-69
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CATHERINE MASSIP , DENIS HERLIN AND VALÉRIE DE WISPELAERE , EDS COLLECTIONNER LA MUSIQUE: ÉRUDITS COLLECTIONNEURS Turnhout: Brepols, 2015 pp. 580, isbn 978 2 503 55327 6
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- 21 March 2018, pp. 69-71
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†ROHAN H. STEWART-MACDONALD , ED. THE EARLY KEYBOARD SONATA IN ITALY AND BEYOND Turnhout: Brepols, 2016 pp. xxi + 334, isbn 978 2 503 56801 0
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- 21 March 2018, pp. 71-78
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Reviews: Editions
THOMAS ARNE (1710–1788), ED. SIMON MCVEIGH AND PETER LYNAN JUDITH: AN ORATORIO Musica Britannica 100 London: Stainer and Bell, 2016 pp. xlviii + 254, isbn 978 0 852 49957 4
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- 21 March 2018, pp. 78-80
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BARTOLOMEO CAMPAGNOLI (1751–1827), ED. SIMONE LAGHI SIX STRING QUARTETS Recent Researches in the Music of the Classical Era 106 Middleton: A-R Editions, 2017 pp. xi + 160, isbn 978 0 895 79845 9
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- 21 March 2018, pp. 80-83
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JOHAN ARNOLD DAHMEN (1766–1812), ED. STEVEN K. GERBER THREE CELLO SONATAS Middleton, WI: A-R Editions, 2017 pp. vii + 24 (+ parts), isbn 978 0 895 79847 3
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- 21 March 2018, pp. 83-86
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ANTON EBERL (1765–1807), ED. MARTIN HARLOW SONATA FOR VIOLIN AND FORTEPIANO IN D MAJOR, OP. 20 Launton, UK: Edition HH, 2017 pp. xiv + 36 (+ parts), isbn 978 1 910 35938 9
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- 21 March 2018, pp. 86-88
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PIERRE NICOLAS LA FONT (c1725–c1791), ED. JONATHAN RHODES LEE PREMIER LIVRE DE PIÈCES DE CLAVECIN Recent Researches in the Music of the Classical Era 105 Middleton, WI: A-R Editions, 2016 pp. xvii + 56, isbn 978 0 895 79843 5
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- 21 March 2018, pp. 88-90
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BENEDETTO MARCELLO (1686–1739), ED. TALYA BERGER CASSANDRA Recent Researches in Music of the Baroque Era 192 Middleton, WI: A-R Editions, 2016 pp. xxi + 45, isbn 978 0 89579 838 1
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- 21 March 2018, pp. 90-92
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Reviews: Recordings
THOMAS AUGUSTINE ARNE (1710–1778), JOHANN CHRISTIAN BACH (1735–1782), JOHN BLOW (1648/1649–1708), JEREMIAH CLARKE (c1674–1707), WILLIAM CROFT (1677/1678–1727), MAURICE GREENE (1696–1755), RICHARD JONES (unknown–1744) THE PLEASURES OF THE IMAGINATION Sophie Yates (harpsichord) Chandos 0814, 2016; one disc, 75 minutes
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- 21 March 2018, pp. 92-94
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MICHAEL HAYDN (1737–1806), WOLFGANG AMADEUS MOZART (1756–1791), GIOVANNI PUNTO (1746–1803) MOZART: STOLEN BEAUTIES. CHAMBER MUSIC BY MOZART, PUNTO AND MICHAEL HAYDN Anneke Scott (natural and piston horns) / Ironwood: Alice Evans and Julia Fredersdorff (violins), Nicole Forsyth and Heather Lloyd (violas), Daniel Yeadon (cello), Neal Peres Da Costa (fortepiano) ABC Classics 481 1244, 2015; one disc, 63 minutes
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- 21 March 2018, pp. 95-96
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