Notes on Contributors
CONTRIBUTORS
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- 23 May 2006, pp. 1-2
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Editorial
EDITORIAL
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- 23 May 2006, pp. 3-6
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Articles
THE UNDISCOVERED FLIGHT PATHS OF THE ‘MUSICAL BEE’: NEW LIGHT ON HUMMEL’S MUSICAL QUOTATIONS
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- 23 May 2006, pp. 7-34
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TWO MORE NEW VIVALDI FINDS IN DRESDEN
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- 23 May 2006, pp. 35-61
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IGNAZ HOLZBAUER AND THE ORIGINS OF GERMAN OPERA IN VIENNA
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- 23 May 2006, pp. 63-90
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STRICT AND FREE REVERSED: THE LAW OF COUNTERPOINT IN KOCH’S MUSIKALISCHES LEXIKON AND MOZART’S ZAUBERFLÖTE
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- 23 May 2006, pp. 91-107
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Essays
THE NON-CANONIC STATUS OF MOZART’S CANONS
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- 23 May 2006, pp. 109-123
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A VIOLA DA GAMBA TEMPERAMENT PRESERVED BY ANTONIO STRADIVARI
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- 23 May 2006, pp. 125-132
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REFLECTIONS ON MOZART’S ‘NON SO PIÙ COSA SON, COSA FACCIO’
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- 23 May 2006, pp. 133-139
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Reviews: Books
LORRAINE BYRNE SCHUBERT’S GOETHE SETTINGS Aldershot: Ashgate, 2003 pp. xix + 512, ISBN 0 7546 0695 3
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- 23 May 2006, pp. 141-143
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MARIANNE DANCKWARDT AND WOLF-DIETER SEIFFERT, EDS BERICHT ÜBER DAS MOZART-SYMPOSION ZUM GEDENKEN AN WOLFGANG PLATH (1930–1995) AUGSBURG, 13. BIS 16. JUNI 2000 PUBLISHED AS MOZART-JAHRBUCH 2001) Kassel: Bärenreiter, 2003 pp. xiv + 501, ISBN 3 7618 1580 8
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- 23 May 2006, pp. 143-146
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MARK DARLOW NICOLAS-ETIENNE FRAMERY AND LYRIC THEATRE IN EIGHTEENTH-CENTURY FRANCE Studies on Voltaire and the Eighteenth Century 11 Oxford: Voltaire Foundation, 2003 pp. xi + 400, ISBN 0 7294 0836 1
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- 23 May 2006, pp. 146-148
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DANIEL HEARTZ MUSIC IN EUROPEAN CAPITALS: THE GALANT STYLE 1720–1780 New York and London: Norton, 2003 pp. xxiv + 1078, ISBN 0 393 05080 7
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- 23 May 2006, pp. 148-153
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RAINER KLEINERTZ GRUNDZÜGE DES SPANISCHEN MUSIKTHEATERS IM 18. JAHRHUNDERT. ÓPERA, COMEDIA UND ZARZUELA Kassel: Edition Reichenberger, 2003 2 vols, pp. viii + 339 and 328, ISBN 3 935004 74 5
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- 23 May 2006, pp. 153-155
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SIEGBERT RAMPE, ED. BACH: DAS WOHLTEMPERIERTE KLAVIER I: TRADITION, ENTSTEHUNG, FUNKTION, ANALYSE. ULRICH SIEGELE ZUM 70. GEBURTSTAG Munich and Salzburg: Katzbichler, 2002 pp. 520, ISBN 3 87397 145 3
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- 23 May 2006, pp. 155-157
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MATTHEW RILEY MUSICAL LISTENING IN THE GERMAN ENLIGHTENMENT: ATTENTION, WONDER AND ASTONISHMENT Aldershot: Ashgate, 2004 pp. ix + 188, ISBN 0 7546 3267 9
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- 23 May 2006, pp. 157-159
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DAVID TUNLEY FRANÇOIS COUPERIN AND ‘THE PERFECTION OF MUSIC’ Aldershot: Ashgate, 2004 pp. 172, ISBN 0 7546 0928 6
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- 23 May 2006, pp. 159-161
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Reviews: Editions
MUZIO CLEMENTI, SYMPHONY NO. 1 IN C MAJOR, WO32 ED. MANUEL DE COL AND MASSIMILIANO SALA Bologna: Ut Orpheus Edizioni, 2003 (Muzio Clementi: Opera Omnia, Volume 56) pp. xv+138, ISMN M 2153 0860 2
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- 23 May 2006, pp. 161-163
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JEAN GILLES, DILIGAM TE, DOMINE ED. JOHN HAJDU HEYER Recent Researches in the Music of the Baroque Era 135 Middleton, WI: A-R Editions, 2004 pp. xix + 96pp, ISBN 0 89579 554 X
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- 23 May 2006, pp. 164-166
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Reviews: Recordings
JOHANN FRIEDRICH FASCH (1688–1758) OUVERTURES IN G MINOR, D MINOR AND G MAJOR Il Fondamento. Artistic Direction: Paul Dombrecht Fuga Libera 502, 2004; one disc, 71 minutes
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- 23 May 2006, pp. 166-168
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