Notes on Contributors
Notes on Contributors
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- 14 February 2022, pp. 1-3
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Editorial
Let's Talk about Emotion
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- 14 February 2022, pp. 5-12
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Article
Chabanon, the Listening Self and the Prosopopoeia of Aesthetic Experience
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- 14 February 2022, pp. 13-36
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Thema da capo: Another Look at Mozart's Embellishments
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- 14 February 2022, pp. 37-57
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Review: Book
The Solfeggio Tradition: A Forgotten Art of Melody in the Long Eighteenth Century Nicholas Baragwanath New York: Oxford University Press, 2020 pp. xix + 410, ISBN 978 0 197 51408 5
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- 14 February 2022, pp. 59-62
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Ouvertures à la française: migrations musicales dans l'espace germanique, 1660–1730 Louis Delpech Turnhout: Brepols, 2020 pp. 349, ISBN 978 2 503 58858 2
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- 14 February 2022, pp. 63-65
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Child Composers in the Old Conservatories: How Orphans Became Elite Musicians Robert O. Gjerdingen New York: Oxford University Press, 2020 pp. 355, ISBN 978 0 190 65359 0
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- 14 February 2022, pp. 66-69
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Review: Edition
Sonatas for Pianoforte and Violin Ludwig van Beethoven (1770–1827), ed. Clive Brown Kassel: Bärenreiter, 2020 Two volumes (each with score/urtext violin part/performance part), pp. lxxv + 151/49/49, lxxvii + 210/64/64, ISMN 979 0 006 56378 4
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- 14 February 2022, pp. 70-72
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Le sacre stimmate di San Francesco d'Assisi Maria Anna von Raschenau (c1650–1714), ed. Janet K. Page Middleton, WI: A-R Editions, 2019 pp. xxxviii + six plates + 92, ISBN 978 1 987 20255 7
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- 14 February 2022, pp. 73-75
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Six Settings Of ‘Ave Regina Coelorum’ (ZWV 128) Jan Dismas Zelenka (1679–1745), ed. Frederic Kiernan Middleton, WI: A-R Editions, 2018 pp. xvii + 64, ISBN 978 1 987 20053 9
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- 14 February 2022, pp. 76-78
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Review: Recording
Heritage: The Music of Madrid in the Time of Goya Luigi Boccherini (1743–1805), Gaetano Brunetti (1744–1798), Manuel Canales (1747–1786), João Pedro de Almeida Mota (1744–c1817), Cristóbal de Morales (1500–1553) Cuarteto Quiroga Cobra 0067, 2019; one disc, 80 minutes
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- 14 February 2022, pp. 79-81
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Antonio Juanas: Premiere Recordings of Selected Choral Works Antonio Juanas (c1762–c1821) Collegium Mundi Novi / R. Ryan Endris (conductor) Centaur CRC3663, 2018; one disc, 64 minutes
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- 14 February 2022, pp. 82-84
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Salieri & Beethoven in Dialogue Antonio Salieri (1750–1825), Ludwig van Beethoven (1770–1827) Heidelberger Sinfoniker / Timo Jouko Herrmann (director) / Diana Tomsche, Joshua Whitener, Kai Preußker (soloists) Hänssler Classic HC20067, 2021; one disc, 48 minutes
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- 14 February 2022, pp. 85-87
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Communication: Report
The Rediscovery of the Nouvelle méthode pour apprendre à jouer de la harpe by Michel Corrette
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- 14 February 2022, pp. 88-90
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Communication: Conference Report
The Salon and the Senses in the Long Eighteenth Century: Interdisciplinary Perspectives Rutgers University, 4–5 March 2021
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- 14 February 2022, pp. 91-93
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American Handel Society Conference Indiana University, 11–14 March 2021
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- 14 February 2022, pp. 94-97
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Late Style and the Idea of the Summative Work in Bach and Beethoven University of Massachusetts Amherst, 24 April 2021
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- 14 February 2022, pp. 98-100
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Redemption and the Modern Age – Handel's Messiah between the Late 18th and the 21st Century Georg-Friedrich-Händel-Gesellschaft and Martin-Luther-Universität Halle-Wittenberg, Halle (Saale), 29 May–2 June 2021
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- 14 February 2022, pp. 101-103
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International Conference on Musical Form Durham University, 21–23 June 2021
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- 14 February 2022, pp. 104-106
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Women and Music in the Early Modern Age Palácio Nacional de Queluz, 2–4 July 2021
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- 14 February 2022, pp. 107-110
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