Hostname: page-component-586b7cd67f-tf8b9 Total loading time: 0 Render date: 2024-11-25T19:50:03.430Z Has data issue: false hasContentIssue false
  • English
  • Français

THE PRODUCTION OF POLYPHONIC MANUSCRIPTS IN THIRTEENTH-CENTURY PARIS: NEW EVIDENCE FOR STANDARDISED PROCEDURES – ERRATUM

Published online by Cambridge University Press:  21 December 2018

Gregorio Bevilacqua ,
David Catalunya  and
Nuria Torres
Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.
Type
Erratum
Information
Early Music History , Volume 38 , October 2019 , pp. 323
Check for updates
Copyright
© Cambridge University Press 2018 

In the original publication of this article, the email address was incorrectly stated for Gregorio Bevilacqua. The correct email address is .

The email address has been corrected in both the online PDF and HTML versions of this article.

References

Bevilacqua, G., Catalunya, D. and Torres, N., ‘The production of polyphonic manuscripts in thirteenth-century Paris: New evidence for standardised procedures’, Early Music History, 37 (2018), pp 91–139.CrossRefGoogle Scholar