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Foreword
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- 01 January 2024, p. 3
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Foreword
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- Published online by Cambridge University Press:
- 01 January 2024, pp. 3-7
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Gender, globalisation and cinema
Foreword
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- 01 January 2024, pp. 3-6
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Theoretical approaches
Why are conspiracy theories doing so well? The case of Charlie Hebdo
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- 01 January 2024, pp. 8-16
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Wŏnhyo's Theory of “One Mind”: A Korean Way of Interpreting Mind
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- 01 January 2024, pp. 4-15
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Female directors and their films
Reframing Women: Gender and Film in Aotearoa New Zealand 1999–2014
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- 01 January 2024, pp. 7-23
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Reflexive Global Bollywood and Metacinematic Gender Politics in Om Shanti Om (2007), Luck By Chance (2008), and Dhobi Ghat (2010)
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- 01 January 2024, pp. 24-37
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Theoretical approaches
Bridging the great divide: Conspiracy theory research for the 21st century
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- 01 January 2024, pp. 17-29
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The Self-Awareness of the Mind: Phenomenal World and the Mind Beyond
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- 01 January 2024, pp. 16-25
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Female directors and their films
Spaces in-Between: Exile, Emigration, and the Performance of Memory in Zahra's Mother Tongue
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- 01 January 2024, pp. 38-47
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Theoretical approaches
Conspiracism: Archaeology and morphology of a political myth
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- 01 January 2024, pp. 30-37
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The Open Society and Its New Enemies
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- 01 January 2024, pp. 26-31
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Female directors and their films
The Silent Monologue by Khady Sylla and Charlie Van Damme: Some (not so New) Gendered Stories of Globalization
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- 01 January 2024, pp. 48-56
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Theoretical approaches
Tackling “conspiracy” theories after the January 2015 terrorist attacks in Paris
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- 01 January 2024, pp. 38-47
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Dispositions: An Integrational Analysis
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- 01 January 2024, pp. 32-40
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Theoretical approaches
Extending the domain of denial: conspiracism and negationism
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- 01 January 2024, pp. 48-55
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Female directors and their films
Crossover Dreams: Global Circulation of Queer Film on the Film Festival Circuits
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- 01 January 2024, pp. 57-72
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Confucianism and Feminism in Korean Context
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- 01 January 2024, pp. 41-47
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Cultural Identity in the Age of Transculturation
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- 01 January 2024, pp. 48-53
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Female directors and their films
FIFAK 2013: Gendered and Generational Expressions of a Passion for Cinema in Tunisia
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- 01 January 2024, pp. 73-87
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