Hostname: page-component-f554764f5-fnl2l Total loading time: 0 Render date: 2025-04-21T00:21:47.001Z Has data issue: false hasContentIssue false
  • English
  • Français

Foreword

Published online by Cambridge University Press:  01 January 2024

Brigitte Rollet
Brigitte Rollet*
Affiliation:
Institut d’études politiques (Sciences-Po), CHCSC-UVSQ, Paris, France
*
Brigitte Rollet, Institut d’études politiques (Sciences-Po), CHCSC-UVSq, Centre d’histoire culturelle des sociétés contemporaines (CHCSC), 47 Boulevard Vauban, 78047 Guyancourt Cedex, France. Email: [email protected]
Get access

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Gender, globalisation and cinema
Information
Diogenes , Volume 62 , Issue 1: Gender, globalisation, and cinema , February 2015 , pp. 3 - 6
Copyright
Copyright © ICPHS 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

References

Bartoli, H (2000) La Mondialisation doit être gouvernée, revue Quart Monde, 175, editionsquartmonde.org/rqm/document.php?id=2195.Google Scholar
Freitag, M (2010) L’Avenir de la société : globalisation ou mondialisation?, SociologieS, sociologies.revues.org/3379.Google Scholar
Higson, A (1989) The concept of national cinema, Screen, 30(4): 36–47.CrossRefGoogle Scholar
Higson, A (2010) Transnational developments in European cinema in the 1920s, Transnational Cinemas 1(1): 69–82.CrossRefGoogle Scholar