I Now turn to an examination of the grounds for arguing supernaturalism in the Phaeacian story, but for their proper appreciation it is necessary to consider an element in the narrative which unfortunately has had little attention of recent years. There is in it more than mere unseasoned description. The poet is evidently taking off these settlers in Scheria, the centre about which his humour plays being the figure of their king, Alkinoos. This is no new thing, but all, as Blass once slily remarked of a scene in the Iliad, do not perceive it. It was clear to Mure. On pp. 404 sqq. of Vol. I. of his Hist, of Gk. Lit. he describes the fun at length, deplores the misapprehension by ‘profound commentators,’ and thinks the episode ‘the most brilliant specimen of the poet's combined talent for the delineation of character and for satirical humour.’ See also Samuel Butler's The Humour of Homer. No one was better qualified than Butler for such an appreciation; the pity is that he spoiled it all by his great Homeric joke about Nausikaa's authorship. Some points are noticed by Perrin and Hayman, and Trenkel sees that the community is Gegenstand des Spottes. But generally the humour is lost on the commentators, who, intent only on the jigsawing of the Phaeacian story, mark the uerborum minutiae and are blind to the rerum pondera.