It is a struggle to put these three papers by Slade, James,
and Alvarez and Phillips into a common context. Partly I
feel that they are like those very humorous events in life
that you cannot wait to relay to your friends. Only when
you have finished your story and the friends' faces remain
politely blank do you realise ‘Oh, you have to have been
there’. There is a ‘have to have been there’ quality
in all
three papers. Together, though, they give us a demonstration of
how very wide the concept of play is and how little researched is the area.
Slade's depiction of dramatic play conjures up a picture
for us most vividly, perhaps. The children ‘domino
marching’ we can almost see. Personally, I can smell the
gym shoes. His idea that improvisation can be a chance to
‘spit out the evil’, his experience that 13-year-olds enjoy
role plays about ‘Bullying, jobs, sex, relationships, interviews,
how to deal with step-parents’, these may be
relatively useful facts — but the shadow of his undoubtedly
charismatic self looms large. He makes interesting and
provocative claims but he shows little inclination to
discipline his arguments or to place his observations in any
wider context of other observers. Perhaps he's just being
dramatic. I found myself interested in Slade's division
between Projected Play, where activity centres around the
objects into which action is projected, and Personal Play,
which involves whole-body role play. In developmental
terms, I am used to thinking of the use of symbols as a
superior, more complex form of activity, whereas children
I see who can only play out their games using their whole
body are often less able to reflect on the action. One can
see, however, that role play with room for reflection and
digestion of the experience could bring the actor very close
to the emotional experiences acted out.