We develop and defend a novel interpretation of mainstream Marvel Comics—an interpretation we call the Fictional Journalism Interpretation. We then show how this interpretation of Marvel comics (i) challenges standard accounts of the manner in which fictional truths are generated by fictions and (ii) provides us with novel, interesting, and in some cases simpler explanations of, and understandings of, phenomena within these comics that are hard to deal with adequately on more traditional accounts, including both contradictions in the fiction and various metafictional storytelling strategies. We conclude by defending the view from a number of objections.

Bas van Fraassen has argued that explanatory reasoning does not provide confirmation for explanatory hypotheses because explanatory reasoning increases information and increasing information does not provide confirmation. We compare this argument with a skeptical argument that one should never add any beliefs because adding beliefs increases information and increasing information does not provide confirmation. We discuss the similarities between these two arguments and identify several problems with van Fraassen’s argument.

Recently, several philosophers have argued that, when faced with moral uncertainty, we ought to choose the option with the maximal expected choiceworthiness (MEC). This view has been challenged on the grounds that it is implausibly demanding. In response, those who endorse MEC have argued that we should take into account the all-things-considered choiceworthiness of our options. I argue that this gives rise to another problem: acts that we consider to be supererogatory are rendered impermissible, and acts that we consider to be suberogatory are rendered obligatory, under MEC. I suggest a way to reformulate MEC to solve this problem.

In this brief discussion of McKaughan and Howard-Snyder’s “How Does Trust Relate to Faith?” I call into question the authors’ finding that faith is necessarily resilient while trust is not. To do this, I demonstrate how the constraints of McKaughan and Howard-Snyder’s inquiry screen out a particular kind of trust, two-place trust, which does manifest resilience. Turning then to two-place trust, I offer two positive reasons—proportionality and the value of relationships—to think that trust may be essentially resilient after all. If this is correct, it takes us a step closer to understanding how trust relates to faith.

Overwhelmingly, philosophers tend to work on the assumption that epistemic justification is a normative status that supervenes on the relation between a cognitive subject, some body of evidence, and a particular proposition (or “hypothesis”). This article will explore some motivations for moving in the direction of a rather different view. On this view, we are invited to think of the relevant epistemic norm(s) as applying more widely to the competent exercise of epistemic agency, where it is understood that cognitive subjects are simultaneously engaged in a number of different epistemic pursuits (distinct “lines of inquiry”), each placing irreconcilable demands on our limited cognitive resources. In effect, adopting this view would require shifting our normative epistemic concern away from the question of how a subject stands with respect to the evidence bearing on the hypothesis at stake in any one line of inquiry, and over onto the question of how well they cope with the inherent risks of epistemic resource management across several lines of inquiry. While this conclusion brings to light important connections between practical and epistemic rationality, it does not collapse the distinction between them. It does, however, constitute a step in the direction of a more systematically developed account of “non-ideal epistemology.”

According to Charles Travis, Frege’s principle to “always to sharply separate the psychological from the logical, the subjective from the objective” involves a move called “the fundamental abstraction.” I try to explain what this abstraction is and why it is interesting. I then raise a problem for it, and describe what I think is a better way to understand Frege’s principle.

Blind review is ubiquitous in contemporary science, but there is no consensus among stakeholders and researchers about when or how much or why blind review should be done. In this essay, we explain why blinding enhances the impartiality and credibility of science while also defending a norm according to which blind review is a baseline presumption in scientific peer review.

I argue that Charles Travis’s interpretation of Frege, in Frege: The Pure Business of Being True, as consistent with Travis’s conception of occasion-sensitivity does not in fact require any modal notions, and so is consistent with the amodalist interpretation of Frege I elaborate in Necessity Lost.

Roderick Chisholm (1916–1999) was among the most creative and influential figures in twentieth-century American philosophy. This essay considers how Chisholm’s cartooning contributed to his philosophical charisma.

A too rarely emphasized feature of modern deontological ethics is the structure of its directives. Faced with alternatives, the question for the moral agent is “which, if either, must I perform (or avoid)?” Getting it right, one is, morally speaking, done…until the next set of freighted options presents. We should wonder whether this makes sense: whether there is not a more complex structure to deontological requirements that resists the “one and done” idea. Rehabilitating the Kantian idea of duty as a value-based deliberative principle, I argue for a more plausible deontology whose requirements are often temporally extended and interpersonally complex.

Moral naturalists are often said to have trouble making sense of inter-communal moral disagreements. The culprit is typically thought to be the naturalist’s metasemantics and its implications for the sameness of meaning across communities. The most familiar incarnation of this metasemantic challenge is the Moral Twin Earth argument. We address the challenge from the perspective of analytic naturalism and argue that making sense of inter-communal moral disagreement creates no special issues for this view.

This article argues that Hume is committed to the cognitive phenomenology of believing. For Hume, beliefs have some distinctively cognitive phenomenology, which is different in kind from sensory phenomenology. I call this interpretation the “cognitive phenomenal interpretation” (“CPI”) of Hume. CPI is coherent with, and supported by, the textual evidence from A Treatise of Human Nature as well as An Enquiry Concerning Human Understanding. In both texts, Hume talks about the distinctive “manner” of believing, and CPI provides us with the best explanation of Hume’s remarks on this distinctive “manner.”

Recently, there have been attempts at offering new justifications of the Rawlsian idea of public reason. Blain Neufeld has suggested that the ideal of political autonomy justifies public reason, while R.J. Leland and Han van Wietmarschen have sought to justify the idea by appealing to the value of political community. In this paper, I show that both proposals are vulnerable to a common problem. In realistic circumstances, they will often turn into reasons to oppose, rather than support, public reason. However, this counterintuitive result can be avoided if we conceive of autonomy and community differently.

In Helen Bannerman’s Little Black Sambo, the text describes its main character as witty, brave, and resourceful. The drawings of the story’s main character which accompany this text, however, present a unique kind of harm that only becomes clear when the work is read as a collection of single-panel comics rather than an illustrated book. In this chapter, I show what happens when we read drawings in books as textless comics, and, based on how things turn out from this reading, motivate why we have some substantive reason to read both Little Black Sambo and other books with drawings-as-comics.

Fictional realism is the view that creatures of fiction exist. Mythical realism is the view that creatures of myth and mistaken theories exist. Call the combined view “Ecumenical Realism.” We critically evaluate three arguments for Ecumenical Realism and argue they are unsound because fictional storytelling differs from mistaken theorizing in important ways. We think these considerations support a more conservative view, “Sectarian Realism,” which results from subtracting “creatures of mistaken theorizing” from Ecumenical Realism. We close by considering an important challenge to Sectarian Realism involving immigrants in fiction.

Comics can be ordered in a range of ways, most overtly by issue number for works within a series, and by page number for pages within works. The internal elements of a comic can also be ordered by formal details found within pages. We identify four kinds of formal details specific to comics pages or two-page spreads: how their elements are arranged, how they are viewed, what events they represent, and when information about those events is presented.

In this article, I argue that because co-nationals have an intrinsically valuable relationship, they have a presumptive claim against interference in their collective affairs. My argument from the claim that co-nationals have an intrinsically valuable relationship to the presumptive claim against interference is threefold, and I set it out in section “From Intrinsic Value to Self-Determination”: firstly, parties to an intrinsically valuable relationship have a respect-based claim to autonomy. Secondly, the relationship between co-nationals realizes some important goods, and collective autonomy is internally related to these. Finally, the fact that co-nationals have an intrinsically valuable relationship, and affective attachments means that they have a strong interest in carrying out certain activities together, without interference from outsiders. In section “Grounding the Presumptive Claim,” I argue that these three grounds cumulatively amount to a presumptive claim to collective autonomy. I outline the implications for the issue of secession.

Genetically complete yet authorless artworks seem possible, yet it is hard to understand how they might really be possible. A natural way to try to resolve this puzzle is by constructing an account of artwork completion on the model of accounts of artwork meaning that are compatible with meaningful yet authorless artworks. However, I argue that such an account of artwork completion is implausible. Therefore, I leave the puzzle unresolved.

According to Action-First theorists, like Jonathan Dancy, reasons for action explain reasons for intentions. According to Intention-First theorists, like Conor McHugh and Jonathan Way, reasons for intentions explain reasons for action. In this paper, I introduce and defend a version of the Action-First theory called “Instrumentalism.” According to Instrumentalism, just as we can derive, using principles of instrumental transmission, reasons to ψ from reasons to ϕ (provided there’s some relevant instrumental relation between ψ-ing and ϕ-ing), we can derive reasons to intend to ϕ from reasons to ϕ (provided there’s some relevant instrumental relation between intending to ϕ and ϕ-ing). After providing some defense of Instrumentalism, I turn to two recent, important arguments for the Intention-First theory advanced by McHugh and Way, and I argue that neither of them succeed. I conclude that we should reject the Intention-First theory and that we have grounds for optimism about the Action-First theory.

Looking back, the moral panic that precipitated the decimation of horror comics in the 1950s seems quaint, yet concerns about the psychological impact of violent media on consumers have never disappeared. In this article, I outline a particular type of psychological impact we ought to take seriously when evaluating the moral status of entertainment. I then consider (a) ways in which comics seem immune from claims that they create this kind of impact for their readers, as well as (b) ways in which we might think that comics generate special instances of moral danger for readers.