Research Article
Bellini’s Gothic Voices Bellini, ‘Un grido io sento’ (Alaide), La straniera, Act I
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- 28 September 2016, pp. 149-154
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The Progress of an Aria Bellini, ‘Ah! non pensar che pieno’, Beatrice di Tenda, Act I
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- 28 September 2016, pp. 155-159
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Malibran’s Favourite Aria Balfe, ‘With Rapture Dwelling’ (Isoline), The Maid of Artois, Act III
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- 28 September 2016, pp. 161-165
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Excavating Attila Verdi, ‘Allor che i forti corrono’ (Odabella), Attila, Act I
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- 28 September 2016, pp. 167-170
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The Sexual Politics of Operatic Collaboration Gounod, ‘Ô ma lyre immortelle’ (Sapho), Sapho, Act III
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- 28 September 2016, pp. 171-174
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Anti-Historical, but Nonetheless There… Verdi, ‘Tutte le feste’ (Gilda), Rigoletto, Act II
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- 28 September 2016, pp. 175-178
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From Orpheus to Opera – Singing about Singing in Verdi’s Il trovatore Verdi, ‘Tacea la notte’ (Leonora), Il trovatore, Act I
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- 28 September 2016, pp. 179-182
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The ‘Caruso of Jazz’ and a ‘Creole Benvenuto Cellini’ Verdi, ‘Miserere … Ah, che la morte ognora’ (Leonora, Manrico), Il trovatore, Act IV
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- 28 September 2016, pp. 183-186
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Should Manrico Escape? Verdi, ‘Miserere … Ah, che la morte ognora’ (Leonora, Manrico), Il trovatore, Act IV
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- 28 September 2016, pp. 187-190
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Violetta, Historian Verdi, ‘Sempre libera’ (Violetta), La traviata, Act I (1853)
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- 28 September 2016, pp. 191-197
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Texts from Elsewhere Verdi, ‘Pace, pace, mio Dio!’ (Leonora), La forza del destino, Act IV
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- 28 September 2016, pp. 199-202
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Light Music meretrix Offenbach, ‘Rondeau de la Lettre’ (Métella), La Vie parisienne, Act II
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- 28 September 2016, pp. 203-207
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Holding Hands Verdi, ‘Tu che le vanità’ (Elisabetta), Don Carlo, Act IV
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- 28 September 2016, pp. 209-214
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Carmen, Communarde Bizet, ‘Habanera’ (Carmen), Carmen, Act I
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- 28 September 2016, pp. 215-219
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The Limits of Operatic Deadness Bizet, ‘Habanera’ (Carmen), Carmen, Act I
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- 28 September 2016, pp. 221-226
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Of Voices, Hearts and Ghosts Saint-Saëns, ‘Mon cœur s’ouvre à ta voix’ (Dalila), Samson et Dalila, Act II
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- 28 September 2016, pp. 227-233
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Tamagno Otherwise Verdi, ‘Ora e per sempre addio’ (Otello), Otello, Act II
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- 28 September 2016, pp. 235-237
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In 1968 Lalo, ‘Puisqu’on ne peut fléchir … Vainement’ (Mylio), Le Roi d’Ys, Act III
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- 28 September 2016, pp. 239-242
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Machine Speak Ruggiero Leoncavallo, ‘Vesti la giubba’ (Pagliacci), I Pagliacci, Act I
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- 28 September 2016, pp. 243-246
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Marconi’s Phoney Future Puccini, ‘Addio’ (Mimì), La bohème, Act III
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- 28 September 2016, pp. 247-249
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