The experience of war of the common people in the medieval East Roman Empire is a topic related to hotly debated issues such as collective identification and attachments, or imperialism and ecumenical ideology. This paper attempts a bottom-up approach to the way warfare was perceived and experienced by provincial populations based on the analysis of selected evidence from the period between the seventh and the twelfth centuries. It goes without saying that the treatment of the topic here could not be exhaustive. My main goal was to problematize the relationship between the objectives of imperial military policies and the pragmatic needs of common provincials for protection of their well-being.

This article examines Plutarch's reception in George Pisides’ poetry. The first section argues in favour of Pisides’ familiarity with Plutarch's writings, mainly in view of verbatim quotations and other thematic connections or allusions. The second section explores Pisides’ more creative use of Plutarch by discussing his direct addresses to the Chearonean philosopher and comparing them with Pisides’ similar apostrophes to Homer and Demosthenes in The Persian Expedition and the Heraclias. By seeking to ‘rewrite’ the heroic past, Pisides presents himself as a skilled emulator of his ancient predecessors, thereby enhancing his self-fashioning as the imperial spokesman par excellence.

This short essay presents seven Byzantine lead seals, all of which originate from the local museum in Ödemiş in the province of Izmir in western Turkey. Almost all of them came as acquisition to Ödemiş by local antique dealers. All the pieces have been treated and interpreted here sigillographically for the first time. This small collection of seals is important regarding the administration of the theme of Thrakesion, especially about the offices of the seal owners, and the society of Cayster valley during the Byzantine period.

It is argued that Theophanes the Confessor derives his information concerning the name of the baths where Constans II was allegedly assassinated from Theophilus of Edessa. It is further argued that Theophilus’ claim that Andrew deliberately killed Constans by hitting him with a bucket is rather unconvincing and may represent the hypothetical reconstruction of the event by an imperial administration that could not accept that the emperor had died as a result of an unfortunate accident.

Utilizing the information recorded in the mid-tenth century Byzantine document known as De Ceremoniis, this paper will examine labour requirements for armament production in the context of a naval expedition to Crete launched by the Byzantines in AD 949. A series of interviews was conducted with experienced blacksmiths with the intention of exploring time requirements for equipment manufacture. The information provided by the De Ceremoniis, as well as that produced through the interviews, has allowed for the assessment of overall trends in the tenth century arms production industry, including labour investments, thematic and imperial production capabilities, and transportation logistics.

While there has been extensive research conducted on Byzantine religious architecture in Cappadocia, little work has been done on agricultural installations there. The valley of Mavrucandere in Cappadocia contains a settlement which has a remarkable agrarian installation complex. Resembling a factory, this area highlights the architectural and the organizational structure of the wine-presses in Cappadocia. In the light of the new findings, this article aims to examine the organization of the wine-making process, the location of the installations in the settlement, and the importance of the installations for the region's trade activities during the Byzantine period.

Magical objects play an important role in the fourteenth-century Byzantine vernacular romance Kallimachos and Chrysorroi, not due to their supernatural powers, but rather in order to make the chivalric status of the romance hero stand out, inasmuch as he does not resort to any of them to achieve his goals.

Through terms that articulate the arts as the results of divine possession or inspiration, the writings of Byzantine thinkers repeatedly expressed the manner in which representation was believed to operate as a form of divine indwelling occurring beyond the skill and originality of the artist, writer, or performer. Beyond ideas of naturalism or style, the literary, visual, and performance arts arose through the event of divine participation. The goal of this article is to contextualize the concept of empsychos graphe, as articulated by Michael Psellos, within a longer and broader history of similar concepts across literary, liturgical, and artistic thought.

This study examines how the Serpent Column in Constantinople came to be recognized as a talisman against snakes and snakebites in the 1390s. It first gives a working definition of what a talisman was in Byzantium. It shows that, despite the co-existence of different ideas of what talismans were, they share the basic principle that the talisman acts within a broader network of non-human forces and entities. Second, it shows how contemporaries used this understanding of talismans when they began to recognize the Serpent Column as a talisman.

The Last Judgment, the extraordinary conclusion to Christ's parousia, played a consequential role in Byzantine religious culture. However, the scarcity of biblical information and the lack of an official council-sanctioned theology of the afterlife resulted in the creation of varying and sometimes contradictory narratives. The most systematic treatment of questions pertaining to the Last Judgment is by Joseph Bryennios (d. c. 1430/1), a theologian and court preacher, in a series of two sermons. This paper offers a detailed investigation of Bryennios’ eschatological thought and discusses its sources and its importance as ‘official’ theology in the last decades of the empire.

This article discusses the authorship of the ‘Short mournful story concerning the unjust death of the most honorable Constantine Cantacuzenus’, a poem that describes the execution of the grand postelnic on the orders of Gregory Ghika, the Prince of Wallachia. On the basis of a marginal comment in a manuscript authored by Nicholas Karatzas (Princeton gr. 112), this article argues that the questionable authorship of the poem may be attributed to the Ottoman grand dragoman Panagiotis Nikousios, who may have written the original Greek version published in Venice in 1666.

The Stoudite monk Niketas Stethatos played an important role in the religious life of Constantinople. Of particular importance are his Spiritual Centuries. In-depth analysis of this text reveals that it not only contains teachings about various aspects of spirituality. Niketas also makes numerous statements about the role of the mystic within society, which have no precedent in earlier spiritual literature. These statements are surprisingly specific and reflect Niketas’ self-image as a charismatic, his attempts to establish himself as an authoritative teacher of the Constantinopolitan populace, and his bitter feuds with those who opposed his activities.

This article deals with the first grammar of vernacular Greek, Nikolaos Sofianos’ Grammatical Introduction, and discusses its two manuscripts; it also offers a date for the grammar (after 1545; left unfinished in 1550) and identifies Theodoros Gazis as the principal linguistic model.

This article examines the different editions of Dido Sotiriou's first novel Οι νɛκροί πɛριμένουν, whose first edition was published in 1959 and the definitive edition, one hundred pages shorter, in 1971, when the military junta ruled Greece and strict censorship was being exercised. The first edition depicts details of the resistance movement against the Axis powers, whereas this has been cut from the definitive edition, which ends just as Greece enters the war against Italy. It will be argued that the revisions, on the one hand, address criticisms of the first edition, in an attempt to improve the novel. On the other hand, the omission of descriptions of resistance against a tyrant (something the colonels resented, for fear of comparisons being drawn to their regime) and the shifting depiction of identities of two main characters, from one that is stable (1959 edition) to one that is subtly performative (1971 edition), also inform discussions of censorship and identity during the years of the military regime.

Between the years 2000 and 2015 novels on the Greek civil war (1946–9) flooded the Greek literary market. This raises important questions as to why the burden of the civil conflict weighs heavily upon generations with no experiential connection to these events. This article begins by offering an interpretation for the literary upsurge of the civil war since the 2000s. Then it uses Marianne Hirsch's concept of postmemory to illustrate the authors’ ethical commitment to ‘unsilence’ and redress the past through the use of archival evidence and testimonies. The case studies of ThomasSkassis’Ελληνικόσταυρόλɛξο (2000), Nikos Davvetas’ Λɛυκή πɛτσέτα στορινγκ (2006),and SophiaNikolaidou's Χορɛύουνοιɛλέφαντɛς(2012) serve to illustrate my argument.

This article examines relations between the Orthodox Church of Cyprus and the British colonial government during the First World War. I argue that the Great War constituted the first turning point in Church-State relations during colonial rule in Cyprus which, following other developments, finally collapsed during the 1950s. I discuss how the dynamic of the Enosis movement for the union of Cyprus with Greece was bolstered during the Great War. This in turn, the article will show, had significant repercussions on the attitudes of the Orthodox Church and the British authorities, transformed their relationship and opened the way for future developments.

Unlike many of his contemporary Westerners, Liudprand of Cremona was proficient in Greek. His writings are full of Greek words and expressions, both written in Greek letters and transliterated into Latin. This note discusses an apparently corrupt passage in Liudprand's narrative of his embassy to Constantinople in 968, the Relatio de legatione Constantinopolitana, and reviews conjectures proposed by editors of the text. A non-invasive solution to the problem is presented that takes both the textual tradition of the Relatio and Liudprand's use of Greek into account.

The celebrated conservationist, and serial memoirist, Gerald Durrell often imaginatively revisited the Corfu of his childhood. Donkeys were integral to his vision of Greek rural life. Both the setting and the style of his literary output resisted what he regarded as unwelcome modernization. His 1968 publication The Donkey Rustlers, one of his few novels, shows how Durrell attempted to perpetuate an outdated view of both Greece and children's literature. It is argued that Durrell's well-attested affection for the Greek people was not well reflected by a narrative in which both foreign children and donkeys seem to come out on top.

The anniversary of Ruth's death and the funeral at St Andrews has just passed, reminding me how much I miss her and how profoundly she is admired by many medievalists, not just those specializing in Byzantine Studies, for a wide range of exciting studies not often brought together.