Graffiti are often seen as providing a window into the emotions of ancient peoples. However, Byzantine graffiti has been viewed as an exception, with the formulaic Greek texts written between 300 and 1500 taken as evidence of communal identity, rather than individual expressiveness. However, variations in these texts can reveal much about an individual author and their personal experiences. In particular, certain formula suggest the dangerous situation an author survived, including incarceration and sea travel. This paper focuses on Corinth, Syros, and Tinos where individuals experienced danger, and how their fears and needs were manifested in the graffiti they left behind.