The experience of war of the common people in the medieval East Roman Empire is a topic related to hotly debated issues such as collective identification and attachments, or imperialism and ecumenical ideology. This paper attempts a bottom-up approach to the way warfare was perceived and experienced by provincial populations based on the analysis of selected evidence from the period between the seventh and the twelfth centuries. It goes without saying that the treatment of the topic here could not be exhaustive. My main goal was to problematize the relationship between the objectives of imperial military policies and the pragmatic needs of common provincials for protection of their well-being.

This short essay presents seven Byzantine lead seals, all of which originate from the local museum in Ödemiş in the province of Izmir in western Turkey. Almost all of them came as acquisition to Ödemiş by local antique dealers. All the pieces have been treated and interpreted here sigillographically for the first time. This small collection of seals is important regarding the administration of the theme of Thrakesion, especially about the offices of the seal owners, and the society of Cayster valley during the Byzantine period.

While there has been extensive research conducted on Byzantine religious architecture in Cappadocia, little work has been done on agricultural installations there. The valley of Mavrucandere in Cappadocia contains a settlement which has a remarkable agrarian installation complex. Resembling a factory, this area highlights the architectural and the organizational structure of the wine-presses in Cappadocia. In the light of the new findings, this article aims to examine the organization of the wine-making process, the location of the installations in the settlement, and the importance of the installations for the region's trade activities during the Byzantine period.

Through terms that articulate the arts as the results of divine possession or inspiration, the writings of Byzantine thinkers repeatedly expressed the manner in which representation was believed to operate as a form of divine indwelling occurring beyond the skill and originality of the artist, writer, or performer. Beyond ideas of naturalism or style, the literary, visual, and performance arts arose through the event of divine participation. The goal of this article is to contextualize the concept of empsychos graphe, as articulated by Michael Psellos, within a longer and broader history of similar concepts across literary, liturgical, and artistic thought.

This study examines how the Serpent Column in Constantinople came to be recognized as a talisman against snakes and snakebites in the 1390s. It first gives a working definition of what a talisman was in Byzantium. It shows that, despite the co-existence of different ideas of what talismans were, they share the basic principle that the talisman acts within a broader network of non-human forces and entities. Second, it shows how contemporaries used this understanding of talismans when they began to recognize the Serpent Column as a talisman.

The Stoudite monk Niketas Stethatos played an important role in the religious life of Constantinople. Of particular importance are his Spiritual Centuries. In-depth analysis of this text reveals that it not only contains teachings about various aspects of spirituality. Niketas also makes numerous statements about the role of the mystic within society, which have no precedent in earlier spiritual literature. These statements are surprisingly specific and reflect Niketas’ self-image as a charismatic, his attempts to establish himself as an authoritative teacher of the Constantinopolitan populace, and his bitter feuds with those who opposed his activities.

This article deals with the first grammar of vernacular Greek, Nikolaos Sofianos’ Grammatical Introduction, and discusses its two manuscripts; it also offers a date for the grammar (after 1545; left unfinished in 1550) and identifies Theodoros Gazis as the principal linguistic model.

This article examines relations between the Orthodox Church of Cyprus and the British colonial government during the First World War. I argue that the Great War constituted the first turning point in Church-State relations during colonial rule in Cyprus which, following other developments, finally collapsed during the 1950s. I discuss how the dynamic of the Enosis movement for the union of Cyprus with Greece was bolstered during the Great War. This in turn, the article will show, had significant repercussions on the attitudes of the Orthodox Church and the British authorities, transformed their relationship and opened the way for future developments.

The celebrated conservationist, and serial memoirist, Gerald Durrell often imaginatively revisited the Corfu of his childhood. Donkeys were integral to his vision of Greek rural life. Both the setting and the style of his literary output resisted what he regarded as unwelcome modernization. His 1968 publication The Donkey Rustlers, one of his few novels, shows how Durrell attempted to perpetuate an outdated view of both Greece and children's literature. It is argued that Durrell's well-attested affection for the Greek people was not well reflected by a narrative in which both foreign children and donkeys seem to come out on top.