In the year that Charles the First came to the throne, Richard Crashaw was a lad of thirteen at the Charterhouse School. He had lost his mother in his infancy, and his father—the Rev. William Crashaw, a learned theologian, eloquent preacher, indifferent poet and bitter anti-Catholic— had recently died, leaving him with slender resources, but endowed with uncommon abilities and a rare gift for making friends.
He went to Cambridge in 1631 ; was admitted to Pembroke College ; gained a pensionership, having, as he afterwards wrote to a friend, spent all his patrimony in buying books ; and graduated in 1634 when he was twenty-one. In the same year he published a book of Scripture Epigrams in Latin, memorable for the one immortal line, “Nympha pudica Deum vidit, et erubuit,” upon which the skill of many translators, including William Hayley, has been exercised.
To draw a true portrait of Richard Crashaw he must be presented in this University setting. For he was, pre-eminently, in modern phrase, a “‘Varsity man.” The advantage of life at the older universities, it has often been said, has always been found to lie as much in the friendships that common studies foster as in the studies themselves. Crashaw enjoyed both to the full. Clearly, he was a student, and lived austere, laborious days, for he became proficient in the classics, as well as in Hebrew, Italian, and Spanish, besides in acquiring some skill in music and art. And the finest minds at the University were his friends. Of these latter we learn something from the numerous elegies he composed, according to the custom of the day.